LEADER 01355nam--2200421---450- 001 990001007160203316 005 20091102093747.0 010 $a0-19-825437-7 035 $a0100716 035 $aUSA010100716 035 $a(ALEPH)000100716USA01 035 $a0100716 100 $a20020228d1992----km-y0itay0103----ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aTerrorism in Europe$ean international comparative lega analysis$fAntonio Vercher 210 $aOxford$cClarendon$d1992 215 $aXXIII, 454 p.$d24 cm 410 $12001 606 $aTerrorismo$yEuropa$xAspetti giuridici 676 $a345.402 700 1$aVERCHER,$bAntonio$0296589 801 0$aIT$bsalbc$gISBD 912 $a990001007160203316 951 $aXXIX.4.C. 7 a (IG VIII 17 565)$b4414 G$cXXIX.4.C. 7 a (IG VIII)$d00251294 951 $aXXIX.4.C. 7 (IG VIII 12 752 C)$b2317 G$cXXIX.4.C. 7 (IG VIII 12)$d00246053 959 $aBK 969 $aGIU 979 $aPATTY$b90$c20020228$lUSA01$h1642 979 $aPATTY$b90$c20020228$lUSA01$h1642 979 $aPATTY$b90$c20020228$lUSA01$h1643 979 $c20020403$lUSA01$h1742 979 $aPATRY$b90$c20040406$lUSA01$h1709 979 $aRSIAV5$b90$c20091023$lUSA01$h1007 979 $aRSIAV4$b90$c20091102$lUSA01$h0937 996 $aTerrorism in europe$9725832 997 $aUNISA LEADER 03441nam 22006492 450 001 9910450001803321 005 20151005020622.0 010 $a1-107-12135-3 010 $a1-280-15927-8 010 $a0-511-11896-1 010 $a0-511-04113-6 010 $a0-511-15117-9 010 $a0-511-32481-2 010 $a0-511-61232-X 010 $a0-511-04667-7 035 $a(CKB)1000000000005261 035 $a(EBL)201441 035 $a(OCoLC)437063060 035 $a(SSID)ssj0000204203 035 $a(PQKBManifestationID)11188380 035 $a(PQKBTitleCode)TC0000204203 035 $a(PQKBWorkID)10175743 035 $a(PQKB)10574191 035 $a(UkCbUP)CR9780511612329 035 $a(MiAaPQ)EBC201441 035 $a(PPN)144796287 035 $a(Au-PeEL)EBL201441 035 $a(CaPaEBR)ebr10014980 035 $a(CaONFJC)MIL15927 035 $a(EXLCZ)991000000000005261 100 $a20141103d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModern American drama, 1945-2000 /$fC.W.E. Bigsby$b[electronic resource] 205 $aSecond edition. 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (xii, 453 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-79410-2 311 $a0-521-79089-1 320 $aIncludes bibliographical references (p. 425-440) and index. 327 $aCover; Half-title; Title; Copyright; Contents; Preface to First Edition; Preface to Second Edition; CHAPTER ONE The absent voice: American drama and the critic; CHAPTER TWO Eugene O Neill s Endgame; CHAPTER THREE Tennessee Williams: the theatricalising self; CHAPTER FOUR Arthur Miller: the moral imperative; CHAPTER FIVE Edward Albee: journey to apocalypse; CHAPTER SIX A Broadway interlude; CHAPTER SEVEN Sam Shepard: imagining America; CHAPTER EIGHT David Mamet: all true stories; CHAPTER NINE The performing self; CHAPTER TEN Redefining the centre: politics, race, gender 327 $aCHAPTER ELEVEN Beyond BroadwayNotes; Index 330 $aIn this new edition of the widely-acclaimed Modern American Drama, Christopher Bigsby completes his survey of postwar and contemporary theatre and brings the reader up to 2000. While retaining the key elements of the first edition, including surveys of those major figures who have shaped postwar American drama, such as Eugene O'Neill, Tennessee Williams, Arthur Miller, Edward Albee, David Mamet, and Sam Shepard, Bigsby also explores the most recent works and performances: these include plays by established dramatists such as Miller's The Ride down Mount Morgan and Albee's Three Tall Women, as well as works by relatively new playwrights Paula Vogel, Tony Kushner, and Terrence McNally among others. Bigsby also provides a new chapter, 'Beyond Broadway' and offers an analysis of how theatre has formed and influenced the millenial culture of America. 606 $aAmerican drama$y20th century$xHistory and criticism 615 0$aAmerican drama$xHistory and criticism. 676 $a812/.5409 700 $aBigsby$b C. W. E.$0152112 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910450001803321 996 $aModern american drama, 1945-2000$9541452 997 $aUNINA