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200 10$aTom Stoppard's plays $epatterns of plenitude and parsimony /$fby Nigel Purse
210  1$aLeiden, Netherlands ;$aBoston, [Massachusetts] :$cBrill Rodopi,$d2017.
210  4$dİ2017
215   $a1 online resource (686 pages)
225 1 $aCosterus New Series,$x0165-9618 ;$vVolume 217
311   $a90-04-31836-4 
311   $a90-04-31965-4 
320   $aIncludes bibliographical references and index.
327   $aPreliminary Material -- Occam?s Razor -- The Stoppardian Stage Debate -- The Vehicle versus the Idea -- Ethics -- Dualism?Illusion and Reality -- Stoppard?s Theatricality -- Stoppard?s Time Shifts -- Coda -- Appendix 1: Hamlet vs Rosencrantz and Guildenstern Are Dead -- Appendix 2: Indian Ink ? Timeline -- Appendix 3: The Coast of Utopia ? Timeline -- Bibliography -- Works by Tom Stoppard -- Characters in Stoppard?s Works -- General Index.
330   $aIn Tom Stoppard?s Plays: Patterns of Plenitude and Parsimony Nigel Purse assesses the complete canon of Tom Stoppard?s works on a thematic basis. He explains that, amongst the plenitude of chaotic comedy, wordplay and intellectual ping-pong of Stoppard?s plays, the principle of parsimony that is Occam?s razor lies at the heart of his works. He identifies key patterns in theme ? ethics and duality - and method ? Stoppard?s stage debates and his dramatic vehicles - as well as in theatrical devices. Quoting extensively from all Stoppard?s published works, many of his interviews and also unpublished material Nigel Purse arrives at a comprehensive and unique appraisal of Stoppard?s plays.
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200 14$aThe history of Portugal$b[electronic resource] /$fJames M. Anderson
210   $aWestport, Conn $cGreenwood Press$d2000
215   $a1 online resource (248 p.)
225 1 $aThe Greenwood histories of the modern nations,$x1096-2905
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-313-31106-4 
320   $aIncludes bibliographical references (p. 207-212) and index.
410  0$aGreenwood histories of the modern nations.
607   $aPortugal$xHistory
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