LEADER 00925nam0-22003251i-450- 001 990000556510403321 005 20120214173542.0 035 $a000055651 035 $aFED01000055651 035 $a(Aleph)000055651FED01 035 $a000055651 100 $a20020821d1995----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aCalcolo strutturale con gli elementi finiti$fFrancesco Scaramuzzino 210 $aMilano$cEtas$d1995 215 $a22 cm$d320 p. 610 0 $aStrutture$aCalcolo$aMetodo degli elementi finiti 610 0 $aMetodo degli elementi finiti$aApplicazioni all'ingegneria 676 $a620.001 515 353 676 $a624.177 700 1$aScaramuzzino,$bFrancesco 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000556510403321 952 $a05 66 191$fDININ 952 $a05 66 192$b1949$fDININ 959 $aDININ 997 $aUNINA LEADER 01051nam0-2200349li-450 001 990000138420203316 005 20180312154720.0 010 $a0-07-707694-X 035 $a0013842 035 $aUSA010013842 035 $a(ALEPH)000013842USA01 035 $a0013842 100 $a20001109d1993----km-y0itay0103----ba 101 0 $aeng 102 $aGB 200 1 $aAnalog interface and DSP sourcebook$fAlan Clements 210 $aLondon [etc.]$cMcGraw-Hill$dcopyr. 1993 610 1 $aconvertitori elettronici di potenza 610 1 $aelaborazione dei segnali tecniche digita 676 $a621.3815$9. 700 1$aClements,$bAlan$062019 801 $aSistema bibliotecario di Ateneo dell' Universitą di Salerno$gRICA 912 $a990000138420203316 951 $a621.381 5 CLE$b0007240 959 $aBK 969 $aTEC 979 $c19960801 979 $c20001110$lUSA01$h1711 979 $c20020403$lUSA01$h1621 979 $aPATRY$b90$c20040406$lUSA01$h1610 996 $aAnalog interface and DSP sourcebook$91490060 997 $aUNISA LEADER 03091nam 2200661 450 001 9910449957803321 005 20200520144314.0 010 $a1-280-45300-1 010 $a0-19-535529-6 010 $a0-19-518599-4 035 $a(CKB)1000000000028829 035 $a(EBL)241269 035 $a(OCoLC)475955896 035 $a(SSID)ssj0001150699 035 $a(PQKBManifestationID)12529621 035 $a(PQKBTitleCode)TC0001150699 035 $a(PQKBWorkID)11188694 035 $a(PQKB)11187359 035 $a(SSID)ssj0000275481 035 $a(PQKBManifestationID)11210178 035 $a(PQKBTitleCode)TC0000275481 035 $a(PQKBWorkID)10223101 035 $a(PQKB)11525534 035 $a(MiAaPQ)EBC241269 035 $a(MiAaPQ)EBC4701132 035 $a(Au-PeEL)EBL4701132 035 $a(CaPaEBR)ebr11273072 035 $a(CaONFJC)MIL45300 035 $a(OCoLC)58995191 035 $a(EXLCZ)991000000000028829 100 $a20161011h20012001 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWrong's what I do best $ehard country music and contemporary culture /$fBarbara Ching 210 1$aOxford, [England] ;$aNew York, New York :$cOxford University Press,$d2001. 210 4$d©2001 215 $a1 online resource (199 p.) 300 $aDescription based upon print version of record. 311 $a0-19-516942-5 311 $a0-19-510835-3 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction: Learning the hard way; 1 "Country 'til I die": Contemporary hard country and the incurable unease of class distinction; 2 The Possum, the Hag, and the Rhinestone Cowboy: The burlesque abjection of the white male; 3 The hard act to follow: Hank Williams and the legacy of hard country stardom; 4 Drawing hard lines: Buck Owens, Dwight Yoakam, and the Bakersfield Sound; 5 Dying hard: Hard country at the finish line?; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y 330 $aThis is the first study of ""hard"" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists ""hard."" She compares hard country music to ""high"" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. With chapters on 606 $aCountry music$xHistory and criticism 608 $aElectronic books. 615 0$aCountry music$xHistory and criticism. 676 $a781.642 700 $aChing$b Barbara$f1958-$0847181 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910449957803321 996 $aWrong's what I do best$91892497 997 $aUNINA