LEADER 04041nam 22007452 450 001 9910449821903321 005 20151005020622.0 010 $a1-107-13054-9 010 $a1-280-43317-5 010 $a0-511-17759-3 010 $a0-511-04150-0 010 $a0-511-14800-3 010 $a0-511-32578-9 010 $a0-511-48189-6 010 $a0-511-04774-6 035 $a(CKB)1000000000001317 035 $a(EBL)202377 035 $a(OCoLC)56317629 035 $a(SSID)ssj0000120075 035 $a(PQKBManifestationID)11129668 035 $a(PQKBTitleCode)TC0000120075 035 $a(PQKBWorkID)10074297 035 $a(PQKB)11601396 035 $a(UkCbUP)CR9780511481895 035 $a(MiAaPQ)EBC202377 035 $a(Au-PeEL)EBL202377 035 $a(CaPaEBR)ebr10023555 035 $a(CaONFJC)MIL43317 035 $a(EXLCZ)991000000000001317 100 $a20090216d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe characteristic symphony in the age of Haydn and Beethoven /$fRichard Will$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (xi, 329 pages) $cdigital, PDF file(s) 225 1 $aNew perspectives in music history and criticism ;$v7 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-05717-5 311 $a0-521-80201-6 320 $aIncludes bibliographical references (p. 304-318) and index. 327 $tParadise lost: Dittersdorf's Four ages of the world and the crisis of Austrian enlightened despotism --$tPreaching without words: reform Catholicism versus divine mystery in Haydn's Seven last words --$tBoundaries of the art: characteristic music in contemporary criticism and aesthetics --$tParadise regained: time, morality, and humanity in Beethoven's Pastoral Symphony --$tMaking memories: symphonies of war, death, and celebration --$tAppendixes: 1. Thematic index of characteristic symphonies --$tPastoral symphonies and movements --$tSymphonies and movements by subject. 330 $aAssociated through descriptive texts with literature, politics, religion, and other subjects, 'characteristic' symphonies offer an opportunity to study instrumental music as it engages important social and political debates of the eighteenth and early nineteenth centuries. This first full-length study of the genre illuminates the relationship between symphonies and their aesthetic and social contexts by focussing on the musical representation of feeling, human physical movement, and the passage of time. The works discussed include Beethoven's Pastoral and Eroica Symphonies, Haydn's Seven Last Words of our Savior on the Cross, Carl Ditters von Dittersdorf's symphonies on Ovid's Metamorphoses, and orchestral battle reenactments of the Revolutionary and Napoleonic eras. A separate chapter details the aesthetic context within which characteristic symphonies were conceived, as well as their subsequent reception, and a series of appendixes summarises bibliographic information for over 225 relevant examples. 410 0$aNew perspectives in music history and criticism ;$v7. 517 3 $aThe Characteristic Symphony in the Age of Haydn & Beethoven 606 $aSymphony$y18th century 606 $aSymphony$y19th century 606 $aMusic$y18th century$xPhilosophy and aesthetics 606 $aMusic$y19th century$xPhilosophy and aesthetics 606 $aProgram music 615 0$aSymphony 615 0$aSymphony 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aProgram music. 676 $a784.2/184 700 $aWill$b Richard James$0845380 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910449821903321 996 $aCharacteristic symphony in the age of Haydn and Beethoven$91886696 997 $aUNINA