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200 10$aAntonio Gramsci $ebeyond Marxism and postmodernism /$fRenate Holub
210  1$aLondon ;$aNew York :$cRoutledge,$d1992.
215   $a1 online resource (258 p.)
225 1 $aCritics of the twentieth century
300   $aDescription based upon print version of record.
311   $a0-415-75508-5 
311   $a0-415-02108-1 
320   $aIncludes bibliographical references (p. 233-242) and index.
327   $aBook Cover; Half-Title; Title; Copyright; Contents; Editor's foreword; Acknowledgements; 1 Gramsci and critical theories: towards a 'differential pragmatics'; 2 To realism farewell: Gramsci, Lukacs and Marxist aesthetics; 3 The industrialization of culture: Gramsci with Benjamin, Brecht and the Frankfurt School; 4 Gramsci's theory of consciousness: between alienation, reification and Bloch's 'principle of hope'; 5 Phenomenology, linguistics, hegemony; 6 Gramsci's intellectual and the age of information technology; 7 In lieu of a conclusion: Gramsci, feminism, Foucault; Notes; Bibliography
327   $aIndex
330   $aThis book provides the first detailed account of Gramsci's work in the context of current critical and socio-cultural debates. Renate Holub argues that Gramsci was ahead of his time in offering a theory of art, politics and cultural production. Gramsci's achievement is discussed particularly in relation to the Frankfurt School (Adorno, Horkheimer, Benjamin, Bloch, Habermas), to Brecht's theoretical writings and to thinkers in the phenomenological tradition especially Merleau-Ponty. She argues for Gramsci's continuing relevance at a time of retreat from Marxist positions on the postmodern left.
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