LEADER 04162nam 22008292 450 001 9910449775203321 005 20151005020621.0 010 $a1-107-11959-6 010 $a0-511-01071-0 010 $a1-280-15468-3 010 $a0-511-11840-6 010 $a0-511-15110-1 010 $a0-511-31046-3 010 $a0-511-48468-2 010 $a0-511-04970-6 035 $a(CKB)1000000000003895 035 $a(EBL)202380 035 $a(OCoLC)475917791 035 $a(SSID)ssj0000280610 035 $a(PQKBManifestationID)11241374 035 $a(PQKBTitleCode)TC0000280610 035 $a(PQKBWorkID)10290803 035 $a(PQKB)10979213 035 $a(UkCbUP)CR9780511484681 035 $a(MiAaPQ)EBC202380 035 $a(Au-PeEL)EBL202380 035 $a(CaPaEBR)ebr10064626 035 $a(CaONFJC)MIL15468 035 $a(EXLCZ)991000000000003895 100 $a20090226d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aImagination under pressure, 1789-1832 $eaesthetics, politics, and utility /$fJohn Whale$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (xii, 240 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v39 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-02271-1 311 $a0-521-77219-2 320 $aIncludes bibliographical references (p. 227-236) and index. 327 $aBurke and the civic imagination -- Paine's attack on artifice -- Wollstonecraft, imagination, and futurity -- Hazlitt and the limits of the sympathetic imagination -- Cobbett's imaginary landscape -- Coleridge and the afterlife of imagination. 330 $aThis ambitious study, first published in 2000, offers a radical reassessment of one of the most important concepts of the Romantic period - the imagination. In contrast to traditional accounts, John Whale locates the Romantic imagination within the period's lively and often antagonistic polemics on aesthetics and politics. In particular he focuses on the different versions of imagination produced within British writing in response to the cultural crises of the French Revolution and the ideology of utilitarianism. Through detailed analysis of key texts by Burke, Paine, Wollstonecraft, Bentham, Hazlitt, Cobbett and Coleridge, Imagination under Pressure seeks to restore the role of imagination as a more positive force within cultural critique. The book concludes with a chapter on the afterlife of the Coleridgean imagination in the work of John Stuart Mill and I. A. Richards. As a whole it represents a timely and inventive contribution to the ongoing redefinition of Romantic literary and political culture. 410 0$aCambridge studies in Romanticism ;$v39. 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aPolitics and literature$zGreat Britain$xHistory$y19th century 606 $aPolitics and literature$zGreat Britain$xHistory$y18th century 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aPolitical science$zGreat Britain$xHistory$y19th century 606 $aPolitical science$zGreat Britain$xHistory$y18th century 606 $aUtilitarianism$zGreat Britain$xHistory 606 $aRomanticism$zGreat Britain 606 $aAesthetics, British 615 0$aEnglish literature$xHistory and criticism. 615 0$aPolitics and literature$xHistory 615 0$aPolitics and literature$xHistory 615 0$aEnglish literature$xHistory and criticism. 615 0$aPolitical science$xHistory 615 0$aPolitical science$xHistory 615 0$aUtilitarianism$xHistory. 615 0$aRomanticism 615 0$aAesthetics, British. 676 $a820.9/358 700 $aWhale$b John C.$0450818 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910449775203321 996 $aImagination under pressure, 1789-1832$92492516 997 $aUNINA