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100   $a19830811d1984      uy             0
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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aConcepts in film theory$b[electronic resource] /$fDudley Andrew
210   $aOxford ;$aNew York $cOxford University Press$d1984
215   $a1 online resource (254 p.)
300   $aDescription based upon print version of record.
311   $a0-19-503394-9 
311   $a0-19-503428-7 
320   $aIncludes bibliography: p. 212-229 and index.
327   $aContents; 1 The State of Film Theory; 2 Perception; 3 Representation; 4 Signification; 5 Narrative Structure; 6 Adaptation; 7 Valuation (of Genres and Auteurs); 8 Identification; 9 Figuration; 10 Interpretation; Notes; Appendix: Classified Bibliography; Index
330   $aA remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism, 
606   $aMotion pictures$xPhilosophy
606   $aCinematography
608   $aElectronic books.
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615  0$aCinematography.
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700   $aAndrew$b Dudley$f1945-$0532928
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200 1 $aAir power and war rights$fby J. M. Spaight
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215   $aIX, 493 p.$d22 cm.
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