LEADER 04111nam 22007094a 450 001 9910449706703321 005 20200520144314.0 010 $a0-8147-9044-5 010 $a1-4294-1384-0 024 7 $a10.18574/9780814790441 035 $a(CKB)1000000000245277 035 $a(OCoLC)80248842 035 $a(CaPaEBR)ebrary10137130 035 $a(SSID)ssj0000115281 035 $a(PQKBManifestationID)11145999 035 $a(PQKBTitleCode)TC0000115281 035 $a(PQKBWorkID)10011066 035 $a(PQKB)10575071 035 $a(MiAaPQ)EBC866101 035 $a(OCoLC)76813290 035 $a(MdBmJHUP)muse10218 035 $a(DE-B1597)547874 035 $a(DE-B1597)9780814790441 035 $a(Au-PeEL)EBL866101 035 $a(CaPaEBR)ebr10137130 035 $a(OCoLC)784884515 035 $a(EXLCZ)991000000000245277 100 $a20050121d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBrothers gonna work it out$b[electronic resource] $esexual politics in the golden age of rap nationalism /$fCharise L. Cheney 210 $aNew York $cNew York University Press$dc2005 215 $a1 online resource (233 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8147-1612-1 311 $a0-8147-1613-X 320 $aIncludes bibliographical references (p. 207-213) and index. 327 $aFrom the revolutionary war to the "revolutionary generation" : some introductory thoughts on rap music, black nationalism, and the golden age of rap nationalism -- "We men ain't we?" : mas(k)unlinity and the gendered politics of black nationalism -- Brothers gonna work it out : the popular/political culture of rap music -- Ladies first? : defining manhood in the golden age of rap nationalism -- Representin' God : masculinity and the use of the Bible in rap nationalism -- Be true to the game : final reflections on the politics and practices of the hip-hop nation. 330 $aBrothers Gonna Work It Out considers the political expression of rap artists within the historical tradition of black nationalism. Interweaving songs and personal interviews with hip-hop artists and activists including Chuck D of Public Enemy, KRS-One, Rosa Clemente, manager of dead prez, and Wise Intelligent of Poor Righteous Teachers, Cheney links late twentieth-century hip-hop nationalists with their nineteenth-century spiritual forebears. Cheney examines Black nationalism as an ideology historically inspired by a crisis of masculinity. Challenging simplistic notions of hip-hop culture as simply sexist or misogynistic, she pays particular attention to Black nationalists? historicizing of slavery and their visualization of male empowerment through violent resistance. She charts the recent rejection of Christianity in the lyrics of rap nationalist music due to the perception that it is too conciliatory, and the increasing popularity of Black Muslim rap artists. Cheney situates rap nationalism in the 1980's and 90's within a long tradition of Black nationalist political thought which extends beyond its more obvious influences in the mid-to-late twentieth century like the Nation of Islam or the Black Power Movement, and demonstrates its power as a voice for disenfranchised and disillusioned youth all over the world. 606 $aRap (Music)$xPolitical aspects$zUnited States 606 $aAfrican American men$xAttitudes 606 $aMasculinity$zUnited States 606 $aSex role$zUnited States 606 $aBlack nationalism$zUnited States$xHistory 608 $aElectronic books. 615 0$aRap (Music)$xPolitical aspects 615 0$aAfrican American men$xAttitudes. 615 0$aMasculinity 615 0$aSex role 615 0$aBlack nationalism$xHistory. 676 $a306.4/84249/08996073 700 $aCheney$b Charise L$01056445 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910449706703321 996 $aBrothers gonna work it out$92490813 997 $aUNINA