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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aVirtuosity and the musical work $ethe Transcendental studies of Liszt /$fJim Samson$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2003.
215   $a1 online resource (viii, 240 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-03604-6 
311   $a0-521-81494-4 
320   $aIncludes bibliographical references (p. 227-234) and index.
327   $a1. Ecology by numbers -- 2. Of maps and materials -- 3. Composing the performance -- 4. Making and remaking -- 5. Forms and reforms -- 6. Suggestion and symbol -- 7. Mazeppa times 7.
330   $aThis book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes e?tudes (1837), and their reworking as Douzes e?tudes d'exe?cution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.
517 3 $aVirtuosity & the Musical Work
606   $aMusic$y19th century$xHistory and criticism
606   $aVirtuosity in musical performance
615  0$aMusic$xHistory and criticism.
615  0$aVirtuosity in musical performance.
676   $a786.2/092
700   $aSamson$b Jim$0997269
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801  1$bUkCbUP
906   $aBOOK
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996   $aVirtuosity and the musical work$92460326
997   $aUNINA