LEADER 01041nam0-2200277 --450 001 9910442760403321 005 20210319112248.0 010 $a9782503546032 100 $a20210319d2013----kmuy0itay5050 ba 101 0 $afre 102 $aBE 105 $a 001yy 200 1 $aThèmes religieux et thèmes profanes dans l'image médiévale: transferts, emprunts, oppositions$eactes du colloque du RILMA, Institut Universitaire de France (Paris, INHA, 23-24 mai 2011)$fédités par Christian Heck 210 $aTurnhout$cBrepols$d2013 215 $a307 p.$cill.$d30 cm 225 1 $aRepertoire iconographique de la litterature du Moyen Age. Les etudes du RILMA$v4 676 $a704.946 676 $a709.02 702 1$aHeck,$bChristian 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910442760403321 952 $a709.02 ETRILMA 1 (4)$b2020/2014$fFLFBC 959 $aFLFBC 996 $aThèmes religieux et thèmes profanes dans l'image médiévale: transferts, emprunts, oppositions$91769003 997 $aUNINA LEADER 03282nam 2200649 a 450 001 9910782695103321 005 20230607222358.0 010 $a1-306-10304-5 010 $a1-74219-150-9 010 $a1-74219-148-7 035 $a(CKB)1000000000693140 035 $a(EBL)410447 035 $a(OCoLC)315295037 035 $a(SSID)ssj0000222998 035 $a(PQKBManifestationID)11187305 035 $a(PQKBTitleCode)TC0000222998 035 $a(PQKBWorkID)10174309 035 $a(PQKB)10192200 035 $a(SSID)ssj0000592582 035 $a(PQKBManifestationID)12237368 035 $a(PQKBTitleCode)TC0000592582 035 $a(PQKBWorkID)10729610 035 $a(PQKB)11025273 035 $a(MiAaPQ)EBC410447 035 $a(Au-PeEL)EBL410447 035 $a(CaPaEBR)ebr10273669 035 $a(CaONFJC)MIL541555 035 $a(EXLCZ)991000000000693140 100 $a20090327d2002 uy 1 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPoems from the madhouse$b[electronic resource] /$fSandy Jeffs 205 $a[3rd ed.]. 210 $aNorth Melbourne, Vic. $cSpinifex$d2002 215 $a1 online resource (98 p.) 300 $aDescription based upon print version of record. 311 $a1-876756-03-9 311 $a1-876756-34-9 327 $aBOOK COVER; TITLE; COPYRIGHT; DEDICATION; CONTENTS; INTRODUCTION; HERE I SIT; PSYCHOTIC EPISODE; MADNESS CREEPS IN; FRAGMENT; FEAR; GLASSHOUSE; VOICES IN THE DARK; THE UNINVITED STRANGER; WHISPER MY FRIEND; PARADOX OF THE WHISPER; THE THUNDERING VOICES; BRUTAL MADNESS; THE CONFESSION; THE REVOLVING DOOR; AS SHE GENTLY BRUSHED MY LONG HAIR; ON BEING CERTIFIED INSANE; THE VISITATION; THE QUEEN OF HEAVEN; THERE IS A SADNESS IN ME; POSSESSION; OVER EXPOSED; RAMBLINGS OF A PSYCHE IN DESPAIR; WHATEVER GETS YOU THROUGH THE NIGHT; THE MADWOMAN IN THE ATTIC; ON LOOKING AT MILLAIS' OPHELIA 327 $aON LOOKING ATIOMILLAIS' O-PFELIADAMNED AS WE ALL ARE; VOICES IN THE DARK II; ASYLUM; THE POSSESSED; THE WANDERER; SITTING ON THE BALCONY OF 'B'WARD; HEATHER; CASSANDRA; JULIAN; HELENA AND FRED; DIANNE; DEREK; WE; SELF-PORTRAIT: MADNESS; SELF-PORTRAIT: SANITY; DEATH WISH; LIFE WISH; DESPAIR; THE RAZOR'S EDGE; I HAVE SEEN; WHO WANTS TO KNOW; THE DARK DOOR; SPIRITUS INSANIAE; LARUNDEL: 'A' WARD 1991; AND NOISE DROWNS THE BREATH OF THE NIGHT GOING BY; RESTLESSNESS; DEATH RISING; I; II; III; WHITE LIGHT/WHITE MADNESS; HELLO? IS ANYONE OUT THERE?; A THESAURUS OF MADNESS; ACKNOWLEDGEMENTS 327 $aOTHER POETRY TITLES FROM SPINIFEX PRESSBlood Relations; Wire Dancing; Bird; Two Lips Went Shopping; Perverse Serenity; Summer was a Fast Train without Terminals; Sybil: The Glide of Her Tongue; Feminist Fables; St Suniti and the Dragon 330 $aA powerful collection of poetry about schizophrenia, with an introduction for young people, discussing the causes/effects . 606 $aSchizophrenia$vPoetry 615 0$aSchizophrenia 676 $a820 676 $aA821.3 700 $aJeffs$b Sandy$f1953-$01473368 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782695103321 996 $aPoems from the madhouse$93790408 997 $aUNINA LEADER 02270nam 2200517 450 001 9910816223703321 005 20230511184841.0 010 $a1-61147-856-1 035 $a(CKB)3710000000466129 035 $a(EBL)4086680 035 $a(SSID)ssj0001543958 035 $a(PQKBManifestationID)16136286 035 $a(PQKBTitleCode)TC0001543958 035 $a(PQKBWorkID)14101031 035 $a(PQKB)10490704 035 $a(MiAaPQ)EBC4086680 035 $a(EXLCZ)993710000000466129 100 $a20150615h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAvant-garde Hamlet $etext, stage, screen /$fR. S. White 210 1$aMadison, [New Jersey] :$cThe Fairleigh Dickinson University Press ;$aLanham :$cRowman & Littlefield,$d[2015] 210 4$d©2015 215 $a1 online resource (219 p.) 225 1 $aShakespeare and the stage (Fairleigh Dickinson University Press) 300 $aDescription based upon print version of record. 311 $a1-61147-857-X 311 $a1-61147-855-3 320 $aIncludes bibliographical references and index. 327 $aAspects of avant-garde -- Avant-garde Hamlet: then and now -- Hamlet as avant-garde text -- Hamlet and avant-garde literature -- On stage: Hamlet and avant-garde theatre -- On screen: Hamlet and film genres -- Epilogue. 330 $aHamlet stands as a high water mark of canonical art, yet it has equally attracted rebels and experimenters, those avant-garde writers, dramatists, performers, and filmmakers who, in their adaptations and appropriations, seek new ways of expressing innovative and challenging thoughts in the hope that they can change perceptions of their own world. 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