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100   $a20130725d2013      u|         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aPrinciples of Musical Acoustics /$fby William M. Hartmann
205   $a1st ed. 2013.
210  1$aNew York, NY :$cSpringer New York :$cImprint: Springer,$d2013.
215   $a1 online resource (352 p.)
225 1 $aUndergraduate Lecture Notes in Physics,$x2192-4791
300   $aIncludes index.
311 08$a1-4614-6785-3 
327   $aSound, Music, and Science -- Vibrations 1 -- Vibrations 2 -- Instrumentation -- Sound Waves -- Wave Properties -- Standing Waves -- Standing Waves in Pipes -- Fourier Analysis and Synthesis -- Sound Intensity -- The Auditory System -- Loudness Perception -- Pitch -- Localization of Sound -- Sound Environments -- Audio Transducers -- Distortion and Noise -- Audio Systems -- Loudspeakers -- Digital Audio -- Broadcasting -- Speech -- Brass Musical Instruments -- Woodwind Instruments -- String Instruments -- Percussion Instruments -- Electronic Music.
330   $aPrinciples of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles. The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical properties of sound, one of two pillars supporting the science of musical acoustics. The second pillar is the human element, the physiological and psychological aspects of acoustical science. The perceptual topics include loudness, pitch, tone color, and localization of sound. With these two pillars in place, it is possible to go in a variety of directions. The book treats in turn, the topics of room acoustics, audio both analog and digital, broadcasting, and speech. It ends with chapters on the traditional musical instruments, organized by family. The mathematical level of this book assumes that the reader is familiar with elementary algebra. Trigonometric functions, logarithms and powers also appear in the book, but computational techniques are included as these concepts are introduced, and there is further technical help in appendices.
410  0$aUndergraduate Lecture Notes in Physics,$x2192-4791
606   $aAcoustics
606   $aNeurobiology
606   $aAcoustical engineering
606   $aAcoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/P21069
606   $aNeurobiology$3https://scigraph.springernature.com/ontologies/product-market-codes/L25066
606   $aEngineering Acoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/T16000
615  0$aAcoustics.
615  0$aNeurobiology.
615  0$aAcoustical engineering.
615 14$aAcoustics.
615 24$aNeurobiology.
615 24$aEngineering Acoustics.
676   $a781.1
700   $aHartmann$b William M.$4aut$4http://id.loc.gov/vocabulary/relators/aut$053077
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906   $aBOOK
912   $a9910438118303321
996   $aPrinciples of Musical Acoustics$92162722
997   $aUNINA