LEADER 02896nam  2200577Ia 450 
001 9910437764803321
005 20200520144314.0
010   $a3-319-00107-8
024 7 $a10.1007/978-3-319-00107-4
035   $a(CKB)2670000000371273
035   $a(EBL)1317080
035   $a(SSID)ssj0000904442
035   $a(PQKBManifestationID)11511225
035   $a(PQKBTitleCode)TC0000904442
035   $a(PQKBWorkID)10924096
035   $a(PQKB)10724914
035   $a(DE-He213)978-3-319-00107-4
035   $a(MiAaPQ)EBC1317080
035   $a(PPN)170489361
035   $a(EXLCZ)992670000000371273
100   $a20111102d2013      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aSound, perception, performance /$fRolf Bader, editor
205   $a1st ed. 2013.
210   $aCham $cSpringer International$d2013
215   $a1 online resource (392 p.)
225 1 $aCurrent Research in Systematic Musicology,$x2196-6966 ;$v1
300   $aDescription based upon print version of record.
311   $a3-319-03281-X 
311   $a3-319-00106-X 
320   $aIncludes bibliographical references.
327   $aProduction and Perception Models -- Neurocognition and Evolution -- Applications.
330   $aMusical Performance covers many aspects like Musical Acoustics, Music Psychology, or motor and prosodic actions. It deals with basic concepts of the origin or music and its evolution, ranges over neurocognitive foundations, and covers computational, technological, or simulation solutions. This volume gives an overview about current research in the foundation of musical performance studies on all these levels. Recent concepts of synchronized systems, evolutionary concepts, basic understanding of performance as Gestalt patterns, theories of chill as performance goals or historical aspects are covered. The neurocognitive basis of motor action in terms of music, musical syntax, as well as therapeutic aspects are discussed. State-of-the-art applications in performance realizations, like virtual room acoustics, virtual musicians, new concepts of real-time physical modeling using complex performance data as input or sensor and gesture studies with soft- and hardware solutions are presented. So although the field is still much larger, this volume presents current trends in terms of understanding, implementing, and perceiving performance.
410  0$aCurrent Research in Systematic Musicology,$x2196-6966 ;$v1
606   $aMusic$xPerformance
606   $aPerception
615  0$aMusic$xPerformance.
615  0$aPerception.
676   $a781.43
701   $aBader$b Rolf$0965634
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910437764803321
996   $aSound, perception, performance$94190983
997   $aUNINA