LEADER 02622oam 2200637Ia 450 001 9910813291503321 005 20231114173119.0 010 $a0-19-771382-3 010 $a0-19-988909-0 010 $a1-282-05401-5 010 $a9786612054013 010 $a0-19-972838-0 024 7 $a2027/heb05061 035 $a(CKB)1000000000747134 035 $a(EBL)431330 035 $a(SSID)ssj0000176730 035 $a(PQKBManifestationID)11182940 035 $a(PQKBTitleCode)TC0000176730 035 $a(PQKBWorkID)10206251 035 $a(PQKB)10781038 035 $a(Au-PeEL)EBL431330 035 $a(CaPaEBR)ebr10288288 035 $a(CaONFJC)MIL205401 035 $a(OCoLC)368265257 035 $a(dli)HEB05061 035 $a(MiU) MIU01100000000000000000701 035 $a(MiAaPQ)EBC431330 035 $a(EXLCZ)991000000000747134 100 $a20090224d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aImagining the Balkans /$fMaria Todorova 205 $aUpdated ed. 210 $aOxford ;$aNew York $cOxford University Press$d2009 215 $a1 online resource (xi, 273 pages) 300 $aPrevious ed.: 1997. 311 0 $a0-19-538786-4 320 $aIncludes bibliographical references (p. 233-266) and index. 327 $aContents; Introduction: Balkanism and Orientalism: Are They Different Categories?; 1. The Balkans: Nomen; 2. "Balkans" as Self-designation; 3. The Discovery of the Balkans; 4. Patterns of Perception until 1900; 5. From Discovery to Invention, from Invention to Classification; 6. Between Classification and Politics: The Balkans and the Myth of Central Europe; 7. The Balkans: Realia-Qu'est-ce qu'il y a de hors-texte?; Conclusion; Afterword to the Updated Edition; Notes; Bibliography; Index 330 $aImagining the Balkans examines how an innocent geographic appellation was transformed into a powerful and widespread pejorative designation. In a new afterword, Maria Todorova discusses the reaction to her dubbing of the term Balkanism and recent events in the Balkans. 607 $aBalkan Peninsula$xHistory 607 $aBalkan Peninsula$xHistoriography 607 $aBalkan Peninsula$xHistory$y19th century 607 $aBalkan Peninsula$xHistory$y20th century 676 $a949.61015 700 $aTodorova$b Marii?a Nikolaeva$0458950 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813291503321 996 $aImagining the Balkans$9176686 997 $aUNINA LEADER 02849nam 2200613 a 450 001 9910437584603321 005 20200520144314.0 010 $a1-283-90993-6 010 $a1-4471-4519-4 024 7 $a10.1007/978-1-4471-4519-6 035 $a(CKB)2670000000278499 035 $a(EBL)1081727 035 $a(OCoLC)817662060 035 $a(SSID)ssj0000798782 035 $a(PQKBManifestationID)11430341 035 $a(PQKBTitleCode)TC0000798782 035 $a(PQKBWorkID)10754571 035 $a(PQKB)10127401 035 $a(DE-He213)978-1-4471-4519-6 035 $a(MiAaPQ)EBC1081727 035 $a(PPN)168293676 035 $a(EXLCZ)992670000000278499 100 $a20121015d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aImage and video-based artistic stylisation /$fPaul Rosin, John Collomosse 205 $a1st ed. 210 $aNew York $cSpringer$d2013 215 $a1 online resource (395 p.) 225 1 $aComputational imaging and vision,$x1381-6446 ;$v42 300 $aDescription based upon print version of record. 311 $a1-4471-4518-6 320 $aIncludes bibliographical references and index. 327 $apt. I. Strokes, marks and filters for artistic stylization -- pt. II. Stylization from structure -- pt. III. Stylized animations. 330 $aNon-photorealistic rendering (NPR) is a combination of computer graphics and computer vision that produces renderings in various artistic, expressive or stylized ways such as painting and drawing. This book focuses on image and video based NPR, where the input is a 2D photograph or a video rather than a 3D model. 2D NPR techniques have application in areas as diverse as consumer and professional digital photography and visual effects for TV and film production. The book covers the full range of the state of the art of NPR with every chapter authored by internationally renowned experts in the field, covering both classical and contemporary techniques. It will enable both graduate students in computer graphics, computer vision or image processing and professional developers alike to quickly become familiar with contemporary techniques, enabling them to apply 2D NPR algorithms in their own projects. 410 0$aComputational imaging and vision ;$vv. 42. 606 $aImage processing$xDigital techniques 606 $aDigital video 615 0$aImage processing$xDigital techniques. 615 0$aDigital video. 676 $a006.6 676 $a006.686 701 $aRosin$b Paul$01680032 701 $aCollomosse$b John$0946640 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910437584603321 996 $aImage and video-based artistic stylisation$94187872 997 $aUNINA