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010   $a9786613065469
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024 8 $ahttps://doi.org/10.1215/9780822392415
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035   $a(EBL)1171778
035   $a(OCoLC)317322389
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035   $a(OCoLC)1142341809
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035   $a(OCoLC)1250394864
035   $a(ScCtBLL)c10756a7-08aa-4b48-a230-302a0dbb15e3
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/36895
035   $a(ODN)ODN0010711231
035   $a(Perlego)1467264
035   $a(oapen)doab36895
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100   $a20090327d2009      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe Sopranos /$fDana Polan
210   $aDurham, [NC] $cDuke University Press$d2009
215   $a1 online resource (230 pages)
225 1 $aSpin Offs.
300   $a"Spinoffs, a production of the Console-ing passions books series."
311 08$a0-8223-4410-6 
311 08$a0-8223-9241-0 
320   $aIncludes bibliographical references (p. [211]-212) and index.
327   $aWatching The Sopranos -- Eight million stories in the naked city -- Food for thought -- Living in the moment -- The late style of The Sopranos -- Gaming The Sopranos -- Getting high with The Sopranos -- Qualifying "quality TV" -- "Honey, I'm home" -- Against interpretation -- New Jersey dreaming -- Tie-ins and hangers-on -- Touring postindustrialism -- Cashing in on the game -- Cable and the economics of experimentation -- This thing of ours.
330   $aIn this concise analysis of the television show The Sopranos, a leading film and TV scholar explains the importance of the series in both its cultural and media-industry contexts.
410  0$ae-Duke books scholarly collection.
410  0$aConsole-ing passions.
606   $aPerforming Arts / Television / History & Criticism$2bisacsh
606   $aPerforming arts
615  7$aPerforming Arts / Television / History & Criticism
615  0$aPerforming arts.
700   $aPolan$b Dana B.$f1953-$0889031
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910433259503321
996   $aThe Sopranos$91986374
997   $aUNINA