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010   $a9786613036759
010   $a9781283036757
010   $a1283036754
010   $a9780822392767
010   $a0822392763
024 8 $ahttps://doi.org/10.1215/9780822392767
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035   $a(OCoLC)1143350843
035   $a(MdBmJHUP)muse79822
035   $a(ScCtBLL)14bd55eb-899f-4205-b3a7-8e0d0c0ecf48
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37758
035   $a(ODN)ODN0010711170
035   $a(Perlego)1466297
035   $a(oapen)doab37758
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100   $a20100908d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCrash $ecinema and the politics of speed and stasis /$fKaren Beckman
210   $aDurham, NC $cDuke University Press$d2010
215   $a1 online resource (320 p.)
300   $aDescription based on print version record
311 08$a0-8223-4708-3 
311 08$a0-8223-4726-1 
320   $aIncludes bibliographical references and index.
327   $a"Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap.
330   $aArgues that representations of the car crash in film genres from slapstick comedies to industrial-safety movies parallels the collision of film and other media.
410  0$ae-Duke books scholarly collection.
606   $aCar-chase films$xHistory and criticism
606   $aMotion pictures$xPlots, themes, etc
606   $aMotion pictures$xHistory
615  0$aCar-chase films$xHistory and criticism.
615  0$aMotion pictures$xPlots, themes, etc.
615  0$aMotion pictures$xHistory.
676   $a791.43/6
676   $a791.436
700   $aBeckman$b Karen Redrobe$f1971-$0925164
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910433258703321
996   $aCrash$92076595
997   $aUNINA