LEADER 01682nam 2200397 n 450 001 996394281203316 005 20200824121820.0 035 $a(CKB)4940000000121821 035 $a(EEBO)2240864715 035 $a(UnM)99857685e 035 $a(UnM)99857685 035 $a(EXLCZ)994940000000121821 100 $a19930524d1616 uy | 101 0 $alat 135 $aurbn||||a|bb| 200 00$aDe pręsulibus Anglię commentarius$b[electronic resource] $eomnium episcoporum, necnon et cardinalium eiusdem gentis, nomina, tempora, seriem, atque actiones maxime? memorabiles ab vltima antiquitate repetita complexus. Per Franciscum Godwinum, Episcopum Landauensem 210 $aLondini $c[Printed by William Stansby and Eliot's Court Press,] ex officina Nortoniana, apud Ioannem Billium$dM.DC.XVI. [1616] 215 $a[16], 664; 180 p 300 $aAn enlarged translation of: A catalogue of the bishops of England. 300 $aAt foot of title: Cum priuilegio Regis. 300 $aPrinters' names from STC; "Eliot's Court Press pr[inted]. 2nd A-M". 300 $a"De archiepiscopis Eboracensibus" (caption title) begins new pagination and register. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aBishops$zEngland$vBiography$vEarly works to 1800 607 $aGreat Britain$xChurch history$vEarly works to 1800 615 0$aBishops 700 $aGodwin$b Francis$f1562-1633.$01001506 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996394281203316 996 $aDe pręsulibus Anglię commentarius$92326119 997 $aUNISA LEADER 05163oam 22004094a 450 001 9910433246203321 005 20230621135727.0 035 $a(CKB)4100000011743189 035 $a(OCoLC)1245577191 035 $a(MdBmJHUP)muse97448 035 $a(NjHacI)994100000011743189 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/32037 035 $a(oapen)doab32037 035 $a(EXLCZ)994100000011743189 100 $a20210208d2021 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCritique of Fantasy, Vol. 3$eThe Block of Fame /$hVolume 3$iThe block of fame /$fLaurence A. Rickels$iThe block of fame /$hVolume 3 210 $aBrooklyn, NY$cpunctum books$d2021 210 1$aSanta Barbara, California :$cBrainstorm Books,$d2021. 210 4$d©2021 215 $a1 online resource 311 08$a1-953035-29-9 330 $a"In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the ?Sleeping Beauty,? uninvited because there wasn?t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according to which art making rarefies daydreaming and delivers omnipotence, overlooks the underlying defense contract. We are hooked to creativity, because it offers the best defense against acknowledging the ultimate and untenable masochistic wish to be refused. Bergler?s bleak view, which Gilles Deleuze alone acknowledged in his study of Sacher-Masoch, doesn?t make any overall contribution to the aesthetics of fantasying that this critique addresses. However, it is a good fit with the centerpiece of the final volume: the wish for fame or, rather, the recoil of the wish in the wreckage that success brings. Following the opening season of mourning and the experience of phantoms, there is the second death, which is murder. In addition to the deadening end that can only be postponed ? the killing off of the dead until dead dead ? there is another second death that concludes the wish for fame with a ritual stripping of badges and insignia. Not only are the medals thrown to the ground and the sword broken, but a life?s work passes review. At the close of his career, Freud returned to the environs of the wish, the cornerstone of his science. While his disciples Otto Rank and Hanns Sachs carried out his 1907 insights regarding the poetics of daydreaming to illuminate, respectively, the mythic origin of the hero and the evolution of art out of the mutual daydream, Freud battened down for the end of his world by revisiting the so-called primal fantasy, the myth of the primal father, in Moses and Monotheism. The animal setting that was a given of its premier articulation in Totem and Taboo was a wrap this time around with Freud?s translation of Marie Bonaparte?s transference gift, a memoir recounting her premature mourning for her sick chow and the dog?s recovery from cancer of the jaw. In Bergler?s unconscious system, plagiarism is the conscious variation on the block basic to authorship. Theodor Adorno interpreted the ascendancy of the culture industry leading to and through the Third Reich in terms of the theft of modernism?s critical strategies for promoting the transformation of wish fantasy into the social relation of art. In the course of writing his essay ?Notes on Kafka? between 1942 and 1952, Adorno was able to reclaim for aesthetic theory after Auschwitz the ?constellation? that he and Benjamin had originally developed to outlast the culture industry?s depravation of the hopefulness of wishing. Adorno gives the sense or direction of the constellation?s recovery when he argues that Kafka?s work stages the final round of the contest between fantasy and science fiction by extrapolating doubling and déją vu as the portals to a collective future. The wish for fame or to be refused it and the wish to steal this book or undo the delinquency demarcate the final movement of the third volume, which follows out, beginning with Susan Sontag and Gidget, a veritable Bildungsroman of the post-war era?s star, the teenager. Fantasying to make it big time means to be in training for big ideas and big feelings. The romance of fantasying was also reconfigured out of a station break. The Nazi elevation of youth to superego in the Heimat of the Teen Age neutralized adolescent innovation by forgoing the Hamletian stage of metabolization of the death wish. Switching to the other patient, the other teenager at heart, no longer the German but now the American or Californian, this study enters the termination phase of the analysis in the environs of a reach for the stars that is legend. It is the legend to the final volume?s mapping of our second nature as daydreamer believers." 606 $aFame 615 0$aFame. 676 $a306.4 700 $aRickels$b Laurence A$f1954-$4aut$0886893 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910433246203321 996 $aCritique of Fantasy, Vol. 3$92018414 997 $aUNINA