LEADER 03491nam 2200625 450 001 9910433238903321 005 20230621135919.0 010 $a9781782384878$b(ebook) 010 $a1782384871$b(ebook) 010 $a9781789204742$b(PDF ebook) 010 $a1789204747$b(PDF ebook) 010 $a9781322950655$b(eBook) 010 $a1322950652$b(eBook) 010 $z9781782384861$b(hardback) 010 $z1782384863$b(hardback) 035 $a(CKB)5400000000000563 035 $a(ScCtBLL)2fdacd4d-0409-4c7d-a729-f9c4e085b872 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/36107 035 $a(EXLCZ)995400000000000563 100 $a20201027h20192015 uy- 0 101 0 $aeng 135 $aur||#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFrom self-fulfillment to survival of the fittest $ework in European cinema from the 1960s to the present /$fEwa Mazierska 210 $cBerghahn Books$d2015 210 1$aNew York ;$aOxford :$cBerghahn Books,$d2015. 210 31$aNew York ;$aOxford :$cBerghahn Books,$d[2019] 210 4$dİ2015 215 $a1 online resource (vii, 303 pages) $cillustrations (black and white); digital file(s) 300 $a"Open access ebook edition published in 2019" -- title page verso. 311 08$aPrint version: Mazierska, Ewa. From self-fulfillment to survival of the fittest. New York : Berghahn, 2015 9781782384861 1782384863 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Homo Faber and the work of cinema -- 2. The 1960s: in search of self-fulfilment -- 3. The 1970s: seeking change -- 4. The 1980s: learning to survive -- 5. The 1990s, the 2000s and beyond: moving towards the unknown -- Conclusions: towards the new cinema of work and idleness. 330 $aContrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, Du?anMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others. 517 3 $aWork in European cinema from the 1960s to the present 606 $aWork in motion pictures 606 $aWorking class in motion pictures 606 $aMotion pictures$zEurope$xHistory$y20th century 606 $aMotion pictures$zEurope$xHistory$y21st century 610 $aPerforming Arts 610 $aFilm 610 $aHistory & Criticism 615 0$aWork in motion pictures. 615 0$aWorking class in motion pictures. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 676 $a791.4 700 $aMazierska$b Ewa$0978088 801 0$bUkMaJRU 906 $aBOOK 912 $a9910433238903321 996 $aFrom self-fulfillment to survival of the fittest$92564846 997 $aUNINA