LEADER 05718nam 22005775 450 001 9910590071103321 005 20240627170308.0 010 $a9783031048159$b(electronic bk.) 010 $z9783031048142 024 7 $a10.1007/978-3-031-04815-9 035 $a(MiAaPQ)EBC7079066 035 $a(Au-PeEL)EBL7079066 035 $a(CKB)24761942200041 035 $a(DE-He213)978-3-031-04815-9 035 $a(EXLCZ)9924761942200041 100 $a20220830d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAdapting Spanish Classics for the New Millennium $eThe Nineteenth-Century Novel Remediated /$fby Linda M. Willem 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (272 pages) 225 1 $aPalgrave Studies in Adaptation and Visual Culture,$x2634-6303 311 08$aPrint version: Willem, Linda M. Adapting Spanish Classics for the New Millennium Cham : Springer International Publishing AG,c2022 9783031048142 320 $aIncludes bibliographical references and index. 327 $aChapter 1: Introduction -- Chapter 2: Retelling Ala's La Regenta -- Chapter 3: Revisualizing Galdós's Marianela -- Chapter 4: Reconfiguring Blasco Ibáñez's Arroz y tartana and Flor de Mayo -- Chapter 5: Remixing Galdós's Realidad, Doña Perfecta, and Tormento -- Chapter 6: Reimagining Valera's Pepita Jiménez and Galdós's Fortunata y Jacinta -- Chapter 7: Retracing Galdós's Tristana and Pardo Bazán's Insolación -- Chapter 8: Reworking Galdós's Tristana and Pardo Bazán's Pazos de Ulloa -- Chapter 9: Conclusion. 330 $aThe focus on twenty-first-century adaptations-many of them little known-of nineteenth-century Spanish novels produces a highly original study, particularly since the adaptations are discussed on their own merits as creative responses to contemporary concerns such as disability, indebtedness, and domestic violence. The stress on free adaptations-in cinema, television, theatre, opera, and graphic narrative-is refreshing. Particularly welcome is the attention not just to the visual reimagining of literary sources but also to the use of musical effects. Readers will take away from this book an appreciation of the inventiveness of contemporary Spanish cultural production. -Jo Labanyi, New York University (USA) Those who are suspicious of non-traditional adaptations of classic literary works will change their minds after reading Linda Willem's studies of re-mediated versions of nineteenth-century Spanish novels. The adaptations vividly illustrate each work's relevance to contemporary concerns, and Willem's analyses bring fresh understanding both to the original works and to the creative re-envisionings of them. Each chapter allows nonspecialists to discover the richness of works by Alas, Galdós, Pardo Bazán, Valera, and Blasco Ibáñez, while making specialists eager to re-read the original works and to teach them with their adaptations. Everyone who is interested in adaptation will enjoy this volume. -Joyce Tolliver, University of Illinois at Urbana-Champaign (USA) The twenty-first-century's turn away from fidelity-based adaptations toward more innovative approaches has allowed adapters from Spain, Argentina, and the United States to draw upon Spain's rich body of nineteenth-century classics to address contemporary concerns about gender, sexuality, race, class, disability, celebrity, immigration, identity, social justice, and domestic violence. This book provides a snapshot of visual adaptations in the first two decades of the new millennium, examining how novelistic material from the past has been remediated for today's viewers through film, television, theater, opera, and the graphic novel. Its theoretical approach refines the binary view of adapters as either honoring or opposing their source texts by positing three types of adaptation strategies: salvaging (which preserves old stories by giving them renewed life for modern audiences), utilizing (which draws upon a pre-existing text for an alternative purpose, building upon the story and creating a shift in emphasis without devaluing the source material), and appropriation (which involves a critique of the source text, often with an attempt to dismantle its authority). Special attention is given to how adapters address audiences that are familiar with the source novels, and those that are not. This examination of the vibrant afterlife of classic literature will be of interest to scholars and educators inthe fields of adaptation, media, Spanish literature, cultural studies, performance, and the graphic arts. Linda M. Willem is the Betty Blades Lofton Professor of Spanish at Butler University (USA). 410 0$aPalgrave Studies in Adaptation and Visual Culture,$x2634-6303 606 $aAdaptation (Literary, artistic, etc.) 606 $aMotion picture plays, European 606 $aLiterature, Modern$y19th century 606 $aAdaptation Studies 606 $aEuropean Film and TV 606 $aNineteenth-Century Literature 615 0$aAdaptation (Literary, artistic, etc.) 615 0$aMotion picture plays, European. 615 0$aLiterature, Modern 615 14$aAdaptation Studies. 615 24$aEuropean Film and TV. 615 24$aNineteenth-Century Literature. 676 $a860.8 700 $aWillem$b Linda M.$01254240 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910590071103321 996 $aAdapting Spanish Classics for the New Millennium$92908252 997 $aUNINA LEADER 03499nam 22007455 450 001 9910431346303321 005 20240509000741.0 010 $a9783030615451 010 $a3030615456 024 7 $a10.1007/978-3-030-61545-1 035 $a(CKB)4100000011645145 035 $a(MiAaPQ)EBC6422557 035 $a(DE-He213)978-3-030-61545-1 035 $a(PPN)252518071 035 $a(Perlego)3482097 035 $a(EXLCZ)994100000011645145 100 $a20201208d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBeing Feared $eThe Micro-Dynamics of Fear and Insecurity /$fby Ben Ellis 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (X, 155 p. 1 illus.) 311 08$a9783030615444 311 08$a3030615448 320 $aIncludes bibliographical references and index. 327 $aChapter One. Introduction -- Chapter Two. An Object of Fear: Setting the Scene for Being Feared -- Chapter Three. Pillars of Fear: Purposeful Fear -- Chapter Four. Pillars of Fear: Accidental Fear -- Chapter Five. Pillars of Fear: Alleviating Fear -- Chapter Six. Pillars of Fear: Competent Fear -- Chapter Seven. Being Feared: The Importance of Context. 330 $aThis book presents an alternative approach to understanding fear and crime by examining those who are feared or who cause fear to others, as opposed to those who are fearful of crime. The existing research into the fearful and the fear of crime offers little insight into this particular experience and so this book represents a missing link in our understanding of how fear of crime is understood by all of those that experience it. It draws on some powerful interviews with juveniles, police officers, soldiers, muscular gym-goers and bouncers/doormen who can be interpreted as being feared. This book focuses on the perceptions, emotions and ensuing actions of those who are perceived as a threat to security by others. It provides an in-depth analysis of the perception of fear in interactions, how this is recognised within an encounter, how these perceptions are attributed and reacted upon, how these experiences relate to particular situations, and how they arestructured in ongoing life experiences. It suggests 'pillars' of fear. 606 $aVictims of crimes 606 $aEmotions 606 $aCrime$xSociological aspects 606 $aCriminology 606 $aCritical criminology 606 $aCriminal behavior 606 $aVictimology 606 $aEmotion 606 $aCrime and Society 606 $aCrime Control and Security 606 $aCritical Criminology 606 $aCriminal Behavior 615 0$aVictims of crimes. 615 0$aEmotions. 615 0$aCrime$xSociological aspects. 615 0$aCriminology. 615 0$aCritical criminology. 615 0$aCriminal behavior. 615 14$aVictimology. 615 24$aEmotion. 615 24$aCrime and Society. 615 24$aCrime Control and Security. 615 24$aCritical Criminology. 615 24$aCriminal Behavior. 676 $a809.3872 676 $a362.88 700 $aEllis$b Ben$0913378 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910431346303321 996 $aBeing feared$92045998 997 $aUNINA