LEADER 03738nam 22006615 450 001 9910427724703321 005 20210816174321.0 024 7 $a10.1525/9780520973862 035 $a(CKB)4100000011679249 035 $a(DE-B1597)551587 035 $a(DE-B1597)9780520973862 035 $a(OCoLC)1154858759 035 $a(ScCtBLL)46b88650-4365-408b-ba4c-1f5434b23520 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/36113 035 $a(EXLCZ)994100000011679249 100 $a20210106h20202020 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aManhua Modernity $eChinese Culture and the Pictorial Turn /$fJohn A. Crespi 210 $cUniversity of California Press$d2020 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2020] 210 4$dİ2020 215 $a1 online resource (230 p.) 311 $a0-520-30910-3 311 $a0-520-97386-0 327 $tFrontmatter --$tContents --$tList of Illustrations --$tAcknowledgments --$tIntroduction: Manhua, Magazines, Modernity --$t1. Shanghai Sketch and the Illustrated City --$t2. War, Rites of Passage, and Resistance Sketch --$t3. Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West --$t4. Propaganda and the Pictorial: Manhua yuekan, 1950?1960 --$tEpilogue --$tNotes --$tSelected Glossary --$tWorks Cited --$tIndex 330 $aA free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China?s modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed?from interwar-era consumerism to war-time mobilization to Mao-style propaganda?the art form adapted to stay on the cutting edge of both politics and style. 606 $aCaricature$xPolitical aspects$zChina$y20th century 606 $aCaricature$zChina$xHistory$y20th century 606 $aCaricatures and cartoons$zChina$xHistory$y20th century 606 $aCommunism and culture$zChina$xHistory$y20th century 606 $aPolitical culture$zChina$xHistory$y20th century 606 $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh 610 $aSocial Science 610 $aMedia Studies 610 $aArt 610 $aAsian 610 $aChinese 610 $aPerforming Arts 610 $aFilm 610 $aHistory & Criticism 615 0$aCaricature$xPolitical aspects 615 0$aCaricature$xHistory 615 0$aCaricatures and cartoons$xHistory 615 0$aCommunism and culture$xHistory 615 0$aPolitical culture$xHistory 615 7$aPERFORMING ARTS / Film & Video / History & Criticism. 676 $a741.5/6951 700 $aCrespi$b John A.$4aut$4http://id.loc.gov/vocabulary/relators/aut$0907047 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910427724703321 996 $aManhua Modernity$92028927 997 $aUNINA