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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aCritique of fantasy$hVol. 2 $ethe contest between B-genres /$fLaurence A. Rickels
210  1$aSanta Barbara, California :$cBrainstorm Books,$d2020
210  4$dİ2020
215   $a1 online resource (235 pages) $cdigital file
311 08$aPrint version: 9781953035189 
320   $aIncludes bibliographical references and index.
330   $aIn the ?Introduction; or, How Star Wars Became Our Oldest Cultural Memory? of the first volume of Critique of Fantasy, the gambit of a contest between science fiction and fantasy was already sketched out. J.R.R. Tolkien and C.S. Lewis aimed to separate the fantasy from the techno-science foregrounded in works by H.G. Wells, for example, and raise the fantasy or fairy-story to the power of an alternate adult literary genre. My study of the contest between the B-genres for ownership of the evolution of the social relation of art out of the condemned site of day dreaming required in the first place a reading apparatus, which the first volume derived from psychoanalytic theories of daydreaming?s relationship to conscious thought, the unconscious, and artistic production as well as from their prehistory, the philosophies of dreams, ghosts, willing and wishing.
606   $aFantasy literature$xHistory and criticism
606   $aFiction genres
608   $bElectronic books.
615  0$aFantasy literature$xHistory and criticism
615  0$aFiction genres.
676   $a809.38766
700   $aRickels$b Laurence A.$0886893
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910425154803321
996   $aCritique of fantasy$92853550
997   $aUNINA