LEADER 03037nam 22006015 450 001 9910424948403321 005 20251010080456.0 010 $a9783030370398 010 $a3030370399 024 7 $a10.1007/978-3-030-37039-8 035 $a(CKB)4100000011528309 035 $a(DE-He213)978-3-030-37039-8 035 $a(MiAaPQ)EBC6380808 035 $a(Au-PeEL)EBL6380808 035 $a(OCoLC)1239992880 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31595 035 $a(Perlego)4357135 035 $a(ODN)ODN0010066847 035 $a(oapen)doab31595 035 $a(EXLCZ)994100000011528309 100 $a20201026d2020 u| 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAffirmative Aesthetics and Wilful Women $eGender, Space and Mobility in Contemporary Cinema /$fby Maud Ceuterick 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.) 311 08$a9783030370381 311 08$a3030370380 327 $a1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. 330 $aWhile the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces?such as cars, homes, and city streets?that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection. 606 $aMotion pictures 606 $aSex 606 $aFilm Theory 606 $aGender Studies 615 0$aMotion pictures. 615 0$aSex. 615 14$aFilm Theory. 615 24$aGender Studies. 676 $a791.4301 676 $a791.43653 686 $aPER004000$aSOC032000$2bisacsh 700 $aCeuterick$b Maud$4aut$4http://id.loc.gov/vocabulary/relators/aut$0846503 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910424948403321 996 $aAffirmative Aesthetics and Wilful Women$91891338 997 $aUNINA