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Calico 210 1$aBerkeley, California :$cUniversity of California Press,$d2014. 210 4$dİ2014 215 $a1 online resource (273 p.) 225 1 $aCalifornia Studies in 20th-Century Music 300 $aDescription based upon print version of record. 311 0 $a0-520-28186-1 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tAbbreviations and Acronyms --$tIntroduction --$tWest Germany: Retrenchment versus A Survivor from Warsaw --$tAustria: Homecoming via A Survivor from Warsaw --$tNorway: Performing Remembrance with A Survivor from Warsaw --$tEast Germany: Antifascism and A Survivor from Warsaw --$tPoland: Cultural Diplomacy through A Survivor from Warsaw --$tCzechoslovakia: A Survivor as A Survivor from Warsaw --$tAfterword --$tNotes --$tBibliography --$tIndex 330 $aJoy H. Calico examines the cultural history of postwar Europe through the lens of the performance and reception of Arnold Schoenberg's A Survivor from Warsaw-a short but powerful work, she argues, capable of irritating every exposed nerve in postwar Europe. Schoenberg, a Jewish composer whose oeuvre had been one of the Nazis' prime exemplars of entartete (degenerate) music, immigrated to the United States and became an American citizen. Both admired and reviled as a pioneer of dodecaphony, he wrote this twelve-tone piece about the Holocaust in three languages for an American audience. This book investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia. 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