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101 0 $afre
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLa Double Séance $eLa Musique Sur la Scène théâtrale et Littéraire / la Musica Sulla Scena Teatrale e Letteraria
205   $a1st ed.
210  1$aFlorence :$cFirenze University Press,$d2018.
210  4$d©2017.
215   $a1 electronic resource (374 p.)
225 1 $aBiblioteca di Studi di Filologia Moderna
311 08$a9788864536651 
311 08$a8864536655 
330   $aIf the play, our device, had no other function than to project, "at some elevation", certain lacks of which we would hardly be aware, there can only be in the Letters, according to Mallarmé, a single essential act: to question the relationships that this device maintains with some internal state of ourselves. We believe, with the author of La Musique et les Lettres, that it is through the play of their often rival relationships that the arts can be understood and make us understand. This game, which never stops urging us, constantly asks us for new instruments for its implementation - or its staging.
410  0$aBiblioteca di Studi di Filologia Moderna.
517   $aDouble séance 
517   $aLa double séance 
606   $aMusic$xHistory and criticism
615  0$aMusic$xHistory and criticism.
676   $a780
700   $aLandi$b Michela$0444620
702   $aLandi$b Michela
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906   $aBOOK
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