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100   $a20201125h20202020  fg             0
101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aRealist cinema as world cinema $enon-cinema, intermedial passages, total cinema /$fLúcia Nagib
205   $a1st ed.
210  1$aAmsterdam :$cAmsterdam University Press,$d[2020]
210  4$d©2020
215   $a1 online resource (300 pages) $cillustrations; digital, PDF file(s)
225 1 $aFilm Culture in Transition
311 08$aPrint version: 9789462987517 
320   $aIncludes bibliographical references and index.
327   $aFrontmatter --  Table of Contents --  List of Illustrations --  Acknowledgements -- Introduction --  Part I. Non-cinema --  1. The Death of (a) Cinema --  2. Jafar Panahi?s Forbidden Tetralogy -- 3. Film as Death -- 4. The Blind Spot of History --  Part II. Intermedial Passages --  5. The Geid?mono Genre and Intermedial Acting in Ozu and Mizoguchi --  6. Intermedial History-Telling -- 7. Passages to Reality --  Part III. Towards Total Cinema --  8. The Reality of Art --  9. Historicising the Story through Film and Music --  10. Total Cinema as Mode of Production --  Bibliography --  Index
330   $aThis book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.
410  0$aFilm culture in transition
606   $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh
610   $aCinematic Authorship.
610   $aCinematic Realism.
610   $aIntermediality.
610   $aNational Cinemas.
610   $aWorld Cinema.
615  7$aPERFORMING ARTS / Film & Video / History & Criticism.
676   $a791.43612
700   $aNagib$b Lúcia$0910613
801  0$bDE-B1597
801  2$bUkMaJRU
912   $a9910420939903321
996   $aRealist cinema as world cinema$92037991
997   $aUNINA