LEADER 05988nam 22007455 450 001 9910420458203321 005 20240402205733.0 024 7 $a10.1515/9789048551941 035 $a(CKB)5310000000017027 035 $a(DE-B1597)571774 035 $a(DE-B1597)9789048551941 035 $a(OCoLC)1224278790 035 $a(MiAaPQ)EBC30406563 035 $a(Au-PeEL)EBL30406563 035 $a(PPN)250733900 035 $a(EXLCZ)995310000000017027 100 $a20201125h20202020 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPost-cinema $eCinema in the Post-art Era /$fDominique Chateau, José Moure 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d[2020] 210 4$d©2020 215 $a1 online resource (376 p.) 225 0 $aThe Key Debates: Mutations and Appropriations in European Film Studies 311 $a90-485-5194-3 327 $tFrontmatter --$tTable of Contents --$tEditorial --$tAcknowledgments --$t1. Introduction --$tPART I A Tribute to Agnès Varda --$t2. The Incipit of Beaches of Agnès (Les plages d?Agnès) An Installation in the Form of a Self-portrait --$tPART II The End of Cinema? --$t3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 --$t4. Cinema Hangs Tough --$t5. Jean-Luc Godard?s Histoire(s) du cinéma or Cinema Surpasses Itself --$tPART III Technological Transformations --$t6. Mutation, Appropriation and Style --$t7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition ? A Dialogue --$t8. In-Flight Entertainment or the Emptying Process of Art in the Air --$tPART IV New Dispositif, New Conditions --$t9. What Kind of Art Is the Cinema of Interactions? --$t10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix?s Algorithmic Operations --$t11. Post-cinema Ecology --$tPART V Transformations in Film Form --$t12. Dwelling with Moving Images --$t13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film --$t14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge --$t15. The Zidane Film --$tPART VI Post-cinema, an Artists? Affair --$t16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 --$t17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky?s DAU --$t18. Cinématon: The Shortest Films for the Longest Film ? A Dialogue --$t19. Documentary as Contemporary Art ? A Dialogue 330 $aPost-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition. 410 4$aThe Key Debates: Mutations and Appropriations in European Film Studies 606 $aPERFORMING ARTS / Film & Video / Direction & Production$2bisacsh 610 $afilm, contemporary art, media, aesthetics, dispositif. 615 7$aPERFORMING ARTS / Film & Video / Direction & Production. 676 $a791.4301 702 $aAndrea$b Pinotti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aAndré$b Gaudreault$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aOever$b Annie van den$f1957-$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChateau$b Dominique$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aChristophe$b Génin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChristophe$b Viart$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aCéline$b Scemama$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDominique$b Chateau$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDudley$b Andrew$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aEugénie$b Zvonkine$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aFrancesco$b Casetti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJost$b Franc?ois$f1949-,$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGabriela$b Rivadeneira Crespo$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGiovanna$b Fossati$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGérard$b Courant$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJosé$b Moure$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMalte$b Hagener$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMiriam$b De Rosa$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMoure$b José$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPhilippe$b Marion$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRichard$b Conte$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aVictor$b Burgin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWang$b Bing$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910420458203321 996 $aPost-cinema$91983407 997 $aUNINA