LEADER 04103nam 2200769 a 450 001 9910963163203321 005 20250225125142.0 010 $a9786612666957 010 $a9781134664931 010 $a1134664931 010 $a9780203784495 010 $a0203784499 010 $a9781282666955 010 $a1282666959 010 $a9781444118995 010 $a1444118994 035 $a(CKB)2670000000032100 035 $a(EBL)564619 035 $a(OCoLC)650084455 035 $a(SSID)ssj0000417013 035 $a(PQKBManifestationID)12139298 035 $a(PQKBTitleCode)TC0000417013 035 $a(PQKBWorkID)10436659 035 $a(PQKB)10434565 035 $a(MiAaPQ)EBC564619 035 $a(Au-PeEL)EBL564619 035 $a(CaPaEBR)ebr10400335 035 $a(CaONFJC)MIL266695 035 $a(OCoLC)897447703 035 $a(FlBoTFG)9780203784495 035 $a(OCoLC)47355845 035 $a(FINmELB)ELB157142 035 $a(EXLCZ)992670000000032100 100 $a20010710d2004 uy 0 101 0 $aeng 135 $aur||####||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEnvisioning human geographies /$fedited by Paul Cloke, Philip Crang, Mark Goodwin 205 $aFirst edition. 210 $aLondon $cArnold ;$aNew York $cDistributed in the United States of America by Oxford University Press$d2004 215 $a1 online resource (259 p.) 300 $aDescription based upon print version of record. 311 08$a9781138160279 311 08$a113816027X 311 08$a9780340720127 311 08$a0340720123 320 $aIncludes bibliographical references and index. 327 $aCover; Book title; Contents; Introduction; Chapter 1 Space and substance in geography; Chapter 2 Engaging ecologies; Chapter 3 Enclosure: a modern spatiality of nature; Chapter 4 Recovering the future: a post-disciplinary perspective on geography and political economy; Chapter 5 Summoning life; Chapter 6 Postcolonial geographies: spatial narratives of inequality and interconnection; Chapter 7 Feminist geographies: spatialising feminist politics; Chapter 8 Poststructuralist geographies: the essential selection; Chapter 9 Computing geographical futures 327 $aChapter 10 Morality, ethics and social justiceChapter 11 Deliver us from evil? Prospects for living ethically and acting politically in human geography; Chapter 12 Activist geographies: building possible worlds; Index 330 3 $aBringing together many of the leading human geographers from around the English-speaking world, Envisioning Human Geographies offers a series of personal visions for the future of human geography. The result is a vigorous and far-sighted debate about what human geography could and should be concerned with in the twenty-first century.The individual contributors develop their arguments to address the shape and direction of human geographies, with each chapter looking forward and envisioning an intellectual future for the subject. The result is a set of powerful statements written around the themes of:·space·nature ·enclosure ·political-economy·non-representation ·post-colonialism ·feminism·post-structuralism ·computation·morality·spirituality ·activism. The statements are tied via an introduction that discusses the ideological, academic and aesthetic prompts that fire the human geographical imagination.Envisioning Human Geographies maps out important new territories of enquiry for human geography, and is essential reading for all students studying the nature and philosophy of the subject. 606 $aHuman geography 606 $aHuman ecology 615 0$aHuman geography. 615 0$aHuman ecology. 676 $a304.2090501 701 $aCloke$b Paul J$0140783 701 $aCrang$b Phil$f1964-$01786257 701 $aGoodwin$b Mark$g(Mark A.)$0249383 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963163203321 996 $aEnvisioning human geographies$94317688 997 $aUNINA LEADER 06062nam 22007815 450 001 9910420458203321 005 20250627202502.0 010 $a1-04-079316-9 010 $a1-003-70178-7 024 7 $a10.1515/9789048551941 035 $a(CKB)5310000000017027 035 $a(DE-B1597)571774 035 $a(DE-B1597)9789048551941 035 $a(OCoLC)1224278790 035 $a(MiAaPQ)EBC30406563 035 $a(Au-PeEL)EBL30406563 035 $a(PPN)250733900 035 $a(ScCtBLL)ff6f6773-f3ba-4c04-877a-b49ce35500b4 035 $a(EXLCZ)995310000000017027 100 $a20201125h20202020 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPost-cinema $eCinema in the Post-art Era /$fDominique Chateau, José Moure 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d[2020] 210 4$d©2020 215 $a1 online resource (376 p.) 225 0 $aThe Key Debates: Mutations and Appropriations in European Film Studies 311 08$a94-6372-723-X 311 08$a90-485-5194-3 327 $tFrontmatter --$tTable of Contents --$tEditorial --$tAcknowledgments --$t1. Introduction --$tPART I A Tribute to Agnès Varda --$t2. The Incipit of Beaches of Agnès (Les plages d?Agnès) An Installation in the Form of a Self-portrait --$tPART II The End of Cinema? --$t3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 --$t4. Cinema Hangs Tough --$t5. Jean-Luc Godard?s Histoire(s) du cinéma or Cinema Surpasses Itself --$tPART III Technological Transformations --$t6. Mutation, Appropriation and Style --$t7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition ? A Dialogue --$t8. In-Flight Entertainment or the Emptying Process of Art in the Air --$tPART IV New Dispositif, New Conditions --$t9. What Kind of Art Is the Cinema of Interactions? --$t10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix?s Algorithmic Operations --$t11. Post-cinema Ecology --$tPART V Transformations in Film Form --$t12. Dwelling with Moving Images --$t13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film --$t14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge --$t15. The Zidane Film --$tPART VI Post-cinema, an Artists? Affair --$t16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 --$t17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky?s DAU --$t18. Cinématon: The Shortest Films for the Longest Film ? A Dialogue --$t19. Documentary as Contemporary Art ? A Dialogue 330 $aPost-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition. 410 4$aThe Key Debates: Mutations and Appropriations in European Film Studies 606 $aPERFORMING ARTS / Film & Video / Direction & Production$2bisacsh 610 $afilm, contemporary art, media, aesthetics, dispositif. 615 7$aPERFORMING ARTS / Film & Video / Direction & Production. 676 $a791.4301 702 $aAndrea$b Pinotti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aAndré$b Gaudreault$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aOever$b Annie van den$f1957-$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChateau$b Dominique$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aChristophe$b Génin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChristophe$b Viart$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aCéline$b Scemama$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDominique$b Chateau$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDudley$b Andrew$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aEugénie$b Zvonkine$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aFrancesco$b Casetti$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJost$b Franc?ois$f1949-$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGabriela$b Rivadeneira Crespo$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGiovanna$b Fossati$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGérard$b Courant$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMalte$b Hagener$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMiriam$b De Rosa$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMoure$b Jose?$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPhilippe$b Marion$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRichard$b Conte$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aVictor$b Burgin$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWang$b Bing$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910420458203321 996 $aPost-cinema$91983407 997 $aUNINA