LEADER 02887nam 22004573a 450 001 9910418317103321 005 20231108184551.0 024 8 $ahttps://doi.org/10.30819/4972 035 $a(CKB)4100000011479712 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/64415 035 $a(ScCtBLL)9dce2370-e27e-41a9-913e-abe088ae57ee 035 $a(EXLCZ)994100000011479712 100 $a20231108i20192020 uu 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe F-Word$fKatrin Frisch 210 1$a[s.l.] :$cLogos Verlag Berlin,$d2019. 215 $a1 electronic resource (376 p.) 300 $aBased on author's doctoral thesis, Humboldt-Universität zu Berlin. 311 08$aPrint version: 3832549722 320 $aIncludes bibliographical references. 330 $aEzra Pound, T. S. Eliot, and Wyndham Lewis have all, to varying degrees, been the subject of studies that explore their ideology. All too often, however, these studies have not tackled the issue adequately, limiting their analytical approach to fascism or other phenomena such as anti-Semitism. Frequently, they have also sought to exculpate these writers or to normalise their political tendencies in an effort to circumnavigate the dilemma of how to address the paradox of right-wing artists who are both harbingers and opponents of the imagined trajectory of progressive modernity. This interdisciplinary study analyses the connections between literary Modernism and right-wing ideology. Moreover, it is the first academic study to explore the reception of these Modernist authors by today's far right, seeking to understand in what ways they use strategic readings of Modernist texts to legitimise right-wing ideology. By raising fundamental questions about the relationship between aesthetics and politics, this study ultimately challenges its readers to see their cultural practices as political. It wants to make visible and problematize the interdependencies of right-wing ideology and cultural production as well as reception in order to explain the (far) Right as a phenomenon deeply rooted in European history and cultural development. It thus lays bare the misconceptions, the gaps as well as the complicity in the debate about right-wing ideology in literature. 606 $aLiterature: history & criticism$2bicssc 610 $aModernismus 610 $aPound, Ezra 610 $aEliot, T. S. 610 $aLewis, Wyndham 610 $aRechtsextremismus, extremism 615 7$aLiterature: history & criticism 676 $a820.900912 700 $aFrisch$b Katrin$0964204 712 02$aHumboldt-Universität zu Berlin, 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910418317103321 996 $aThe f-word$92186696 997 $aUNINA