LEADER 03280 am 2200865 n 450 001 9910416487603321 005 20190709 010 $a2-84867-680-9 024 7 $a10.4000/books.pufc.681 035 $a(CKB)4100000010014024 035 $a(FrMaCLE)OB-pufc-681 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/52130 035 $a(PPN)24168501X 035 $a(EXLCZ)994100000010014024 100 $a20191219j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aL?Antiquité et la vie des arts $eContributions scientifiques et pédagogiques /$fSylvie David 210 $aBesançon $cPresses universitaires de Franche-Comté$d2019 215 $a1 online resource (218 p.) 330 $aCet ouvrage propose une réflexion sur la place de l?Antiquité dans les arts, analysant les lectures, les réécritures, les projections dont la littérature et la mythologie gréco-romaines font l?objet ; les travaux présentés intéressent différentes formes d?art : théâtre, opéra, peinture ou encore cinéma ; les exposés, émanant de la recherche universitaire ou issus d?expériences pédagogiques, se complètent et se répondent en un dialogue fécond. Ces contributions sont le fruit des rencontres organisées à Besançon dans le cadre des Journées d?automne de la Coordination nationale des associations régionales d?enseignants de langues anciennes sur le thème « Arts et Antiquité ». Elles s?inscrivent dans le contexte de l?introduction de l?histoire des arts dans les programmes scolaires. 606 $aArt 606 $aAntiquité 606 $aart 606 $amythologie 606 $aréécriture 606 $alittérature 606 $athéâtre 606 $aopéra 606 $apeinture 606 $acitation 610 $aart 610 $aréécriture 610 $apeinture 610 $aopéra 610 $acitation 610 $aAntiquité 610 $alittérature 610 $amythologie 610 $athéâtre 615 4$aArt 615 4$aAntiquité 615 4$aart 615 4$amythologie 615 4$aréécriture 615 4$alittérature 615 4$athéâtre 615 4$aopéra 615 4$apeinture 615 4$acitation 700 $aAndré$b Laurent$01316192 701 $aAuvray$b Angélique$01316193 701 $aBellevret$b Bernard$01316194 701 $aBondenet$b Valérie$01316195 701 $aCam$b François$01316196 701 $aDavid$b Sylvie$01316197 701 $aFerraj$b Patricia$01316198 701 $aGaudefroy-Demombynes$b Géraldine$01316199 701 $aGobert$b Annie$01316200 701 $aGuard$b Thomas$01316201 701 $aLetessier$b Pierre$01316202 701 $aMercier$b Line$01316203 701 $aPerrot$b Sylvain$01316204 701 $aPetit$b Laure$01316205 701 $aPulice$b Aurélien$01316206 701 $aVer Eecke$b Marie$01316207 701 $aDavid$b Sylvie$01316197 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910416487603321 996 $aL?Antiquité et la vie des arts$93032621 997 $aUNINA LEADER 07738nam 2201045Ia 450 001 9910778420503321 005 20230721023058.0 010 $a1-282-36086-8 010 $a9786612360862 010 $a0-520-94309-0 024 7 $a10.1525/9780520943094 035 $a(CKB)1000000000807251 035 $a(EBL)470929 035 $a(OCoLC)609850067 035 $a(OCoLC)on1298713272 035 $a(SSID)ssj0000293994 035 $a(PQKBManifestationID)12098592 035 $a(PQKBTitleCode)TC0000293994 035 $a(PQKBWorkID)10302952 035 $a(PQKB)11263558 035 $a(MiAaPQ)EBC470929 035 $a(DE-B1597)519406 035 $a(OCoLC)1110259523 035 $a(DE-B1597)9780520943094 035 $a(Au-PeEL)EBL470929 035 $a(CaPaEBR)ebr10675688 035 $a(CaONFJC)MIL236086 035 $a(EXLCZ)991000000000807251 100 $a20080611d2009 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDigging $ethe Afro-American soul of American classical music /$fAmiri Baraka 210 $aBerkeley $cUniversity of California Press$dc2009 215 $a1 online resource (425 p.) 225 0 $aMusic of the African diaspora ;$v13 300 $a"George Gund Foundation imprint in African American studies". 311 $a0-520-26582-3 311 $a0-520-25715-4 320 $aIncludes discographies. 327 $tDigging --$tFrontmatter --$tMUSIC OF THE AFRICAN DIASPORA --$tContents --$tIntroduction --$tPart One: Essays --$t1. Griot/Djali: Poetry, Music, History, Message --$t2. Miles Later --$t3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture --$t4. Blues People: Looking Both Ways --$t5. Rhythm --$t6. The American Popular Song: "The Great American Song Book" --$t7. Blues Line --$t8. Cosby and the Music --$t9. Nina Returns --$t10. Jazz Criticism and Its Effect on the Music --$t11. Not "the Boss": Bruce Springsteen --$t12. Wynton Marsalis: Black Codes (from the Underground) --$t13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture --$t14. Newark's' "Coast" and the Hidden Legacy of Urban Culture --$t15. Black Music as a Force for Social Change --$t16. What You Mean, Du Wop? --$t17. Classical American Music --$t18. Singers and the Music: A Theater Piece --$t19. Newark's Influence on American Music --$t20. Ritual and Performance --$t21. Bopera Theory --$t22. "Jazz and the White Critic": Thirty Years Later --$t23. Random Notes on the Last Decade --$tPart Two: Great Musicians --$t24. Panthalassa: Miles Davis --$t25. When Miles Split! --$t26. David Murray, Ming's Samba --$t27. David Murray, Fo Deuk Revue --$t28. David Murray, Addenda to a Concert --$t29. On Reissuing Trane --$t30. John Coltrane: Why His Legacy Continues --$t31. Some Memories of Alan Shorter: Interview with Wayne Shorter --$t32. High Art: Art Tatum --$t33. Max Roach at the Iridium --$t34. Paris Max --$t35. The Great Max Roach --$t36. Billie Holiday --$t37. The High Priest of BeBop --$t38. Eric Dolphy: A Note --$t39. Jackie Mc --$t40. It Ain't about You --$t41. You Ever Hear Albert Ayler? --$t42. Albert's Will --$t43. Sassy Was Definitely Not the Avon Lady --$t44. Fred --$t45. Fred Hopkins's Memorial --$t46. Duke Ellington: The Music's "Great Spirit" --$t47. Duke Was a Very Great Pianist! --$t48. Blind Tom: The Continuity of Americana --$t49. Don Pullen Leaves Us --$t50. Black History Month Rediscovers "the Music" in New York City --$t51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard --$t52. Wonderful Stevie --$t53. Abbey Lincoln --$t54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman --$tPart Three: Notes, Reviews, and Observations --$t55. Impulse Sampler, Act on Impulse --$t56. Ralph Peterson --$t57. Andrew Cyrille, Good to Go --$t58. Odean Pope Saxophone Choir, Epitome --$t59. Ravi Coltrane, Moving Pictures --$t60. Donal Fox and David Murray, Ugly Beauty --$t61. Tyrone Jefferson, Connections --$t62. James Moody --$t63. Barry Harris: In the Tradition --$t64. Pharoah Sanders, Shukuru --$t65. Don Pullen-George Adams Quartet, Breakthrough --$t66. Von and Chico Freeman, Freeman and Freeman --$t67. Alan Shorter, Orgasm --$t68. The Work Man: Reggie Workman --$t69. Roscoe Mitchell and the Note Factory --$t70. Jimmy Scott, But Beautiful --$t71. Malachi Thompson, Talking Horns --$t72. The Nexus Orchestra, Seize the Time --$t73. Three Fresh Ticklers --$t74. Rodney Kendrick, Last Chance for Common Sense --$t75. Jazz Times Review, Multiple Artists --$t76. More Young Bloods to the Rescue! --$t77. Vijay Iyer, Memorophilia --$t78. TriFactor, If You Believe --$t79. Live Lessons --$t80. New York Art Quintet --$t81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time --$t82. Jon Jang and David Murray, River of Life --$t83. Trio Three, Encounter --$t84. Jackie Mc-Coming and Going 330 $aFor almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous-Max Roach, Charlie Parker, Miles Davis, John Coltrane-and on those whose names are known mainly by jazz aficionados-Alan Shorter, Jon Jang, and Malachi Thompson. Baraka's literary style, with its deep roots in poetry, makes palpable his love and respect for his jazz musician friends. His energy and enthusiasm show us again how much Coltrane, Albert Ayler, and the others he lovingly considers mattered. He brings home to us how music itself matters, and how musicians carry and extend that knowledge from generation to generation, providing us, their listeners, with a sense of meaning and belonging. 410 0$aMusic of the African diaspora ;$v13. 606 $aAfrican Americans$xMusic$xHistory and criticism 606 $aMusic$xHistory and criticism 606 $aAfrican American musicians 610 $aafrican american culture. 610 $aafrican american history. 610 $aafrican american music. 610 $aalan shorter. 610 $aamerica popular song. 610 $aamerican classical music. 610 $aautobiography. 610 $ablack aesthetic. 610 $ablues aesthetic. 610 $abruce springsteen. 610 $acharlie parker. 610 $aduke ellington. 610 $afred hopkins. 610 $agreat american song book. 610 $ajazz criticism. 610 $ajazz music. 610 $ajazz. 610 $ajohn coltrane. 610 $ajon jang. 610 $amalachi thompson. 610 $amax roach. 610 $amiles davis. 610 $amusic. 610 $amusical analysis. 610 $amusicians. 610 $apolitical commentary. 610 $apolitical history. 610 $arhythm. 610 $asocial change. 610 $awynton marsalis. 615 0$aAfrican Americans$xMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 615 0$aAfrican American musicians. 676 $a780.89/96073 700 $aBaraka$b Amiri$f1934-2014.$0142618 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778420503321 996 $aDigging$93816467 997 $aUNINA