LEADER 03774 am 22004453u 450 001 9910130811603321 005 20230621141320.0 010 $a9788864530048 035 $a(CKB)3450000000002755 035 $a(SSID)ssj0000985781 035 $a(PQKBManifestationID)11509529 035 $a(PQKBTitleCode)TC0000985781 035 $a(PQKBWorkID)10933282 035 $a(PQKB)11215385 035 $a(WaSeSS)Ind00074218 035 $a(EXLCZ)993450000000002755 100 $a20160829d2009 uy | 101 0 $aita 135 $aurm|#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a"In carne e ossa" $eil corpo nelle opere di Georg Büchner, Büchner, Rousseau e i materialisti francesi del settecento /$fRoberta Carnevale 210 31$aFirenze :$cFirenze University Press,$d2009 215 $a1 online resource (492 pages) $cdigital, PDF file(s) 225 0 $aBiblioteca di Studi di Filologia Moderna ;$v8 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a8864530045 320 $aIncludes bibliographical references and index. 330 $aIn the critical literature on Georg Büchner this monograph represents the first organic work devoted to the subject of the body - a pivotal issue for an understanding of his writings. The book investigates the significance assumed by the human body in three spheres of analysis: the political, the erotic and the scientific-philosophical. In the latter area the analysis hinges on the relations between Büchner's work and the writings of the three principal French materialist philosophers of the eighteenth century: La Mettrie, d'Holbach and Helvétius. The appraisal of this relation illustrates not only Büchner's appropriation of the legacy of ideas of French materialism, but also moments in which he satirises, sarcastically criticises or outrightly rejects certain central aspects of this vision of man and nature. From this analysis and the study of the political significance of the body and the erotic aspect, it emerges that the body, understood as Leib - human body, lived and living, the hub of subjective perception and experience - not only has a crucial function in the figurative layout of the literary works, but is also the focal point of Büchner's view of man, thus assuming a central importance both in the three areas examined and in the more strictly aesthetic sphere. This book won the Sigismondo Malatesta Association Award "Critical Opera" - Literature, Theater and Performing Arts - 2009 Edition. the hub of subjective perception and experience - not only has a crucial function in the figurative layout of the literary works, but is also the focal point of Büchner's view of man, thus assuming a central importance both in the three areas examined and in the more strictly aesthetic sphere. This book won the Sigismondo Malatesta Association Award "Critical Opera" - Literature, Theater and Performing Arts - 2009 Edition. the hub of subjective perception and experience - not only has a crucial function in the figurative layout of the literary works, but is also the focal point of Büchner's view of man, thus assuming a central importance both in the three areas examined and in the more strictly aesthetic sphere. This book won the Sigismondo Malatesta Association Award "Critical Opera" - Literature, Theater and Performing Arts - 2009 Edition. 606 $aLanguages & Literatures$2HILCC 606 $aLiterature - General$2HILCC 615 7$aLanguages & Literatures 615 7$aLiterature - General 700 $aCarnevale$b Roberta$0800747 801 0$bPQKB 801 2$bUkMaJRU 912 $a9910130811603321 996 $a"In carne e ossa"$91909631 997 $aUNINA LEADER 04593 am 2200829 n 450 001 9910416464103321 005 20200129 010 $a2-8107-0979-3 024 7 $a10.4000/books.pumi.37523 035 $a(CKB)5590000000001632 035 $a(FrMaCLE)OB-pumi-37523 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/52095 035 $a(PPN)249720817 035 $a(EXLCZ)995590000000001632 100 $a20200901j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aL?acier en Europe avant Bessemer /$fPhilippe Dillmann, Liliane Hilaire-Pérez, Catherine Verna 210 $aToulouse $cPresses universitaires du Midi$d2020 215 $a1 online resource (530 p.) 311 $a2-912025-70-2 330 $aCe livre est le fruit d?un colloque international tenu au Musée des arts et métiers grâce au soutien de nombreuses institutions internationales et nationales, en particulier le CNRS, le CDHTE/Cnam et l?Université Paris 8. Il a réuni des historiens, des archéologues et des archéomètres autour de ce matériau complexe qu?est l?acier avant l?ère de la production industrielle massive. Le cadre chronologique est donc celui des longues durées, de l?Antiquité au premier XIXe siècle. L?ouvrage s?articule autour de trois thèmes. Il s?ouvre par des définitions de l?acier en un temps où ce matériau n?avait pas été encore analysé selon les critères scientifiques contemporains. Dans ce domaine, l?apport récent de l?archéométrie et de l?archéologie, confronté aux terminologies d?usage comme aux traités savants, d?Aristote à Réaumur, offre une compréhension diachronique, tant scientifique que technique, d?un matériau dont la singularité frappe ses usagers depuis l?Antiquité. L?ouvrage se poursuit par une présentation des procédés de fabrications. Leur diversité illustra le foisonnement des modes opératoires qui parfois coexistent malgré des ruptures techniques majeures. Le Moyen Âge et les Temps modernes, périodes de différenciation des matières, des produits et des techniques, ont concentré l?attention des auteurs. Enfin, une large place a été consacrée aux marchés et aux usages de l?acier. Les différents procédés répondent à des logiques d?adaptation des matériaux aux besoins, aux contraintes et aux opportunités commerciales. 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