LEADER 00921nam a2200253 a 4500 001 991002642109707536 008 040706s2001 it 000 0 ita d 020 $a8885060544 035 $ab12954664-39ule_inst 040 $aDip.to di Scienze Storiche Filosofiche e Geografiche$bita 082 0 $a320.57 245 02$aL'anarchico e l'ebreo :$bstoria di un incontro /$ca cura di Amedeo Bertolo 260 $aMilano :$bEleuthera,$c2001 300 $a238 p. ;$c19 cm 650 4$aAnarchia 650 4$aGiudaismo 650 4$aIntellettuali ebrei$xAtteggiamento verso l'anarchia 700 1 $aBertolo, Amedeo 907 $a.b12954664$b21-09-06$c06-07-04 912 $a991002642109707536 945 $aLE009 Stor. 79.1-745$g1$i2009000261532$lle009$o-$pE14.46$q-$rl$s- $t0$u1$v0$w1$x0$y.i1384703x$z21-09-04 996 $aAnarchico e l'ebreo$9279820 997 $aUNISALENTO 998 $ale009$b - - $cm$d- $e-$fita$git $h0$i0 LEADER 03042nam 2200553z- 450 001 9910413450303321 005 20210212 035 $a(CKB)4100000011401322 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/61271 035 $a(NjHacI)994100000011401322 035 $a(oapen)doab61271 035 $a(EXLCZ)994100000011401322 100 $a20202102d2018 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aTrauma, Memory and Religion$eJournal for Religion, Film and Media 210 $cSchu?ren Verlag$d2018 215 $a1 online resource (125 p.) 225 1 $aJournal for Religion, Film and Media 311 08$a3-7410-0068-X 330 $aHow can we screen trauma? This question might lead the perception of documentary films about atrocities in the 20th and 21st centuries, like S21 THE KHMER ROUGE KILLING MACHINE (Rithy Panh, CAMB/FR 2003) about Cambodia, THE LOOK OF SILENCE (Joshua Oppenheimer, ID/DK 2014) about Indonesia or DAS RADIKAL BO?SE (Stefan Ruzowitzky, AT 2013) about Nazi-Europe. A concern that may emerge as we watch films on atrocities is whether these artistic representations perhaps guide the public away from what "really happened". There certainly is a huge gap between, on the one hand, the immediate experience of the event that lies behind the interpretative screening and, on the other hand, watching the director's material while neither being a part nor ever having been part of the event. Yet often filmic representations are not intended to show what happened; instead they present case studies to be explored in the present. Often the films contain an inherent critique of genocidal violence and present humanistic perspectives on obedience. Mostly, these films underline the humanity of the victims, seeking to give names, faces and biographies so that they are much more than just numbers. What appears on the screen therefore challenges the audience with a moral question: what would you do? 517 $aBook Review 517 $aMusic Review 517 $aFilm Review 517 $aTrauma, Memory and Religion in Film 606 $aDocumentary films$xHistory and criticism 606 $aDocumentary films$zUnited States$xHistory and criticism 615 0$aDocumentary films$xHistory and criticism. 615 0$aDocumentary films$xHistory and criticism. 676 $a070.18 700 $aNatalie Fritz$4auth$01280142 702 $aHessel Jan Zondag$4auth 702 $aDaria Pezzoli-Olgiati$4auth 702 $aStefanie Knauss$4auth 702 $aVaughan S Roberts$4auth 702 $aVerena Marie Eberhardt$4auth 702 $aLucien M. van Liere$4auth 702 $aGerwin van der Pol$4auth 702 $aJacob Given$4auth 702 $aFreek L. Bakker$4auth 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910413450303321 996 $aTrauma, Memory and Religion$93016637 997 $aUNINA