LEADER 01272nam a22002651i 4500 001 991002934149707536 005 20040614154822.0 008 040624s1983 gr |||||||||||||||||fre 035 $ab13000056-39ule_inst 035 $aARCHE-095773$9ExL 040 $aDip.to Beni Culturali$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a733 100 1 $aCroissant, Francis$0156302 245 14$aLes protomés féminines archaïques :$brecherches sur les représentations du visage dans la plastique grecque de 550 a 480 av. J.-C. /$cpar Francis Croissant 260 $aAthènes :$bÉcole française d'Athènes,$c1983 300 $a2 v. ;$c28 cm 440 0$aBibliothéque des écoles françaises d'Athènes et de Rome ;$v250 650 4$aScultura classica greca$xRappresentazioni femminili 907 $a.b13000056$b02-04-14$c12-07-04 912 $a991002934149707536 945 $aLE001 AR IV 129 4$g1$i2001000110643$lle001$nV. 1. - C. 1$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13608241$z12-07-04 945 $aLE001 AR IV 129a 4$g1$i2001000110650$lle001$nV. 2. - C. 1$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13608253$z12-07-04 996 $aProtomés féminines archaïques$9283887 997 $aUNISALENTO 998 $ale001$b12-07-04$cm$da $e-$ffre$ggr $h4$i2 LEADER 00668nam a2200193 i 4500 001 991004253426207536 005 20221017125659.0 008 221017s1964 it ||| | ita 040 $aBibl. Dip.le Aggr. Studi Umanistici - Sez. Filologia Classica$bita 082 0 $a870.09 100 1 $aBornmann, Fritz$0161837 245 10$aPagine critiche di letteratura latina /$cscelte e ordinate da A. Ronconi e F. Bornmann 260 $aFirenze :$bLe Monnier,$c1974 300 $a532 p. ;$c22 cm. 650 4$aLetteratura latina$xStudi 700 1 $aRonconi, Alessandro 912 $a991004253426207536 996 $aPagine critiche di letteratura latina$9868718 997 $aUNISALENTO LEADER 03050nam 2200337 450 001 9910412459903321 005 20230830142124.0 024 7 $a10.5555/3373648 035 $a(CKB)5280000000244363 035 $a(NjHacI)995280000000244363 035 $a(EXLCZ)995280000000244363 100 $a20230830d2019 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProceedings of the 8th ACM/Eurographics Expressive Symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering /$fDieter Fellner 210 1$aGoslar, Germany :$cEurographics Association,$d2019. 215 $a1 online resource (146 pages) 330 $aThe 8th ACM/Eurographics Expressive Symposium (Expressive 2019) explores the capacity of computer graphics, animation, and computational media to be used in artistic, aesthetic, and creative ways. The field can be seen as encompassing problems in understanding, communication, and interaction. Expressive understanding integrates aspects of computer science, philosophy, psychology, and the fine, applied, and performing arts, investigating theoretical approaches that further our understanding of aesthetic evaluation, perception and meaning. Expressive communication focuses on imagery and motion which is expressive rather than photorealistic, although it may incorporate realistic elements. Expressive interaction explores models, algorithms, and technologies for sketch-based interfaces, particularly classifying and recognizing hand-drawn shapes as a way to create or edit digital models, text, mathematics, or 3D shapes. The Expressive Symposium fosters a dialogue between graphics researchers, human computer interaction researchers, and digital artists to explore the intersection of these expressive domains. This year marks the culmination of the multi-year union of three separate events: Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), and Sketch-Based Interfaces and Modelling (SBIM). The Expressive Symposium will carry on the tradition of multi-disciplinary excellence established by these conferences. In addition to research contributions by scientists, the works presented in Expressive are often tightly coupled with the community of digital artists who employ research techniques in their craft. To encourage these collaborations, the Expressive Symposium incorporates artworks as part of its program alongside technical papers. All accepted works are presented on the same stage to foster dialogue and better understand each individual work in the larger context of the scientific and creative communities. 606 $aComputer science$vCongresses 615 0$aComputer science 676 $a004 700 $aFellner$b Dieter$0949180 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910412459903321 996 $aProceedings of the 8th ACM$93492315 997 $aUNINA