LEADER 01015nam 2200325Ia 450 001 996393690803316 005 20200824132307.0 035 $a(CKB)3810000000004025 035 $a(EEBO)2248505105 035 $a(OCoLC)ocm8440640e 035 $a(OCoLC)8440640 035 $a(EXLCZ)993810000000004025 100 $a19820519d1680 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aCulpepper revived$b[electronic resource] $ebeing an almanack for the year of our Blessed Saviours incarnation 1680 ... /$fby Nathaniel Culpepper 210 $aCambridge $cPrinted by John Hayes$d1680 215 $a[39] p. $cill 300 $aReproduction of original in the Huntington Library. 330 $aeebo-0113 606 $aAlmanacs, English 615 0$aAlmanacs, English. 700 $aCulpepper$b Nathanael$f17/18th cent.$0793113 801 0$bUMI 801 1$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996393690803316 996 $aCulpepper revived$91773725 997 $aUNISA LEADER 03423oam 2200589I 450 001 9910411651903321 005 20241107093559.0 010 $a9781317654827 010 $a131765482X 010 $a9781315764610 010 $a131576461X 010 $a9781317654810 010 $a1317654811 024 7 $a10.4324/9781315764610 035 $a(CKB)3710000001151620 035 $a(MiAaPQ)EBC4839807 035 $a(OCoLC)995498983 035 $a(ODN)ODN0004104193 035 $a(ScCtBLL)d4a02e5a-45bb-4e1b-bc22-0a0dc855f61c 035 $a(oapen)doab34686 035 $a(EXLCZ)993710000001151620 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aArt, research, philosophy /$fClive Cazeaux 205 $a1st ed. 210 $d2017 210 1$aLondon ;$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (203 pages) $cillustrations 311 08$a1-138-78977-1 311 08$a1-138-78978-X 320 $aIncludes bibliographical references and index. 327 $a1. The theories that wedge art and knowledge apart -- 2. What is artistic research? -- 3. We need to talk about concepts -- 4. Writing as rupture and relation -- 5. Insights from the metaphorical dimension of making -- 6. Does 'art doctored' equal 'art neutered'? -- 7. Drawing with Merleau-Ponty : a study in the constellation of concepts -- 8. The aesthetics of research after the end of art. 330 $aArt, Research, Philosophy explores the emergent field of artistic research: art produced as a contribution to knowledge. As a new subject, it raises several questions: What is art-as-research? Don't the requirements of research amount to an imposition on the artistic process that dilutes the power of art? How can something subjective become objective? What is the relationship between art and writing? Doesn't description always miss the particularity of the artwork? This is the first book-length study to show how ideas in philosophy can be applied to artistic research to answer its questions and to make proposals for its future. Clive Cazeaux argues that artistic research is an exciting development in the historical debate between aesthetics and the theory of knowledge. The book draws upon Kant, phenomenology and critical theory to show how the immediacies of art and experience are enmeshed in the structures that create knowledge. The power of art to act on these structures is illustrated through a series of studies that look closely at a number of contemporary artworks. This book will be ideal for postgraduate students and scholars of the visual and creative arts, aesthetics and art theory. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9781315764610 606 $aArt and philosophy 606 $aArt$xResearch 615 0$aArt and philosophy. 615 0$aArt$xResearch. 676 $a701/.05 676 $a701.05 686 $aSOC052000$2bisacsh 700 $aCazeaux$b Clive$0696644 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910411651903321 996 $aArt, Research, Philosophy$91570287 997 $aUNINA