LEADER 03998oam 2200781 c 450 001 9910410649703321 005 20250802090638.0 010 $a9783839432969 010 $a3839432960 024 8 $ahttps://doi.org/10.14361/9783839432969 035 $a(CKB)3710000000656398 035 $a(MiAaPQ)EBC5494417 035 $a(Au-PeEL)EBL5494417 035 $a(OCoLC)1030823022 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35550 035 $a(MiAaPQ)EBC6955922 035 $a(ScCtBLL)7d007e47-d4b1-4cd0-903e-10261e034332 035 $a(OCoLC)1163840517 035 $a(Perlego)1527781 035 $a(transcript Verlag)9783839432969 035 $a(oapen)doab35550 035 $a(oapen)doab41326 035 $a(EXLCZ)993710000000656398 100 $a20250802d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt Unlimited?$eDynamics and Paradoxes of a Globalizing Art World$fFranz Schultheis, Erwin Single, Raphaela Ko?feler, Thomas Mazzurana 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2016 210 $aBielefeld$ctranscript Verlag$d2016 215 $a1 online resource (264 pages) 225 0 $aKulturen der Gesellschaft$v20 327 $aFrontmatter 1 Contents 5 Preface 9 Introduction: Art unlimited? 17 Prospective territorial occupations 33 Voices from an emerging art field 61 The Olympics of art in distant realms 219 Contemporary art and its Eastern public 227 A world turned upside down 237 Appendix 259 330 $aUntil recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified? A research team from the University of St. Gallen has taken up such questions in an ethnographical field research project which enables the actors in this emergent and nonetheless already market-dominated art field to have their say. 330 1 $ağDank der ausfu?hrlichen Interviews ermo?glicht das Buch lesenswerte Einblicke in die Situation der Kunstszenen und -ma?rkte von Hongkong und Shanghai im Jahr 2014. Gleichzeitig bietet das Buch den in den Sozialwissenschaften seltenen Fall einer Argumentation, bei der das von den Autoren pra?sentierte Evidenzmaterial die eigene These widerlegt. Michael Hutter, www.sehepunkte.de, 18/2 (2018) ğDas Verdienst der St. Galler Studie ist es, [...] Eindru?cke mithilfe von Leitfragen zum kulturellen und o?konomischen Globalisierungsprozess zu kontextualisieren und zu interpretieren.Ğ Barbara Basting, WOZ, 22.12.2016 410 0$aKulturen der Gesellschaft 606 $aSociology of Art; Art Market; Globalization; Ethnography; China; Art; Theory of Art; Sociology; 610 $aart 610 $aArt Basel 610 $aart market 610 $aAuction 610 $achina 610 $aChinese art 610 $aContemporary art 610 $aethnography 610 $aglobalization 610 $aHong Kong 610 $aRace and ethnicity in the United States Census 610 $aShanghai 610 $asociology 610 $asociology of art 610 $atheory of art 615 4$aSociology of Art; Art Market; Globalization; Ethnography; China; Art; Theory of Art; Sociology; 676 $a701/.03095 700 $aSchultheis$b Franz$4aut$0965225 702 $aSingle$b Erwin$4aut 702 $aKo?feler$b Raphaela$4aut 702 $aMazzurana$b Thomas$4aut 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910410649703321 996 $aArt Unlimited$94415222 997 $aUNINA