LEADER 12195oam 22005535 450 001 9910404255203321 005 20240308115646.0 010 $a90-04-41207-7 024 7 $a10.1163/9789004412071 035 $a(CKB)4920000000126938 035 $a(nllekb)BRILL9789004412071 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/27312 035 $a(MiAaPQ)EBC31219247 035 $a(Au-PeEL)EBL31219247 035 $a(EXLCZ)994920000000126938 100 $a20190710d2019 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aHoly ground: where art and text meet $estudies in the cultural history of India /$fHans T. Bakker 205 $a1st ed. 210 $cBrill$d2019 210 1$aLeiden Boston :$cBRILL,$d2019. 215 $a1 online resource 225 1 $aGonda Indological Studies;$vvolume20 311 $a90-04-41206-9 327 $aIntro -- Holy Ground: Where Art and Text Meet: Studies in the Cultural History of India -- Copyright -- Table of Contents -- Part I Early Studies 1986-2000 -- 1 An Indian Image of Man: An Inquiry into a change of perspective in the Hindu world-view -- Introduction -- The Indian understanding of perfect man -- The 'Raw Material' -- The Sufis -- The Yogis -- The Sants -- The Bhaktas -- Epilogue -- 2 Die Indische Herausforderung: Hegels Beitrag zu einer europäischen kulturhistorischen Diskussion -- Einleitung -- Die Jahre 1820-1825 -- Neue Einsichten -- Die Jahre 1826-1831 -- Die Rezeption der Bhagavadg?t? -- Von Humboldts Bhagavadg?t? Vorträge und Hegels Kritik -- Schlussbetrachtung -- Schlussmoral -- 3 Ayodhy?: le nom et le lieu -- Ayodhy? conçue : le nom -- Ayodhy? retrouvée : le lieu -- Illiers-Combray -- 4 Ayodhy?: A Hindu Jerusalem: An investigation of 'Holy War' as a religious idea in the light of communal unrest in India -- Introduction -- Holy war as a religious idea -- Five conditions of 'holy war' -- The Hindu religion and the social reality of war -- The advent of Islam -- The segregation of the Hindu and Muslim communities -- The idea of the R?ma r?jya -- The Kingdom of Avadh -- The emerging conflict around the Babri Masjid in Ayodhy? -- Ayodhy?: a Hindu Jerusalem -- The fight for the R?majanmabh?mi/Babri Masjid -- Epilogue -- 5 The Ramtek Inscriptions I -- Introduction -- The graffiti -- The two short Kevala-Narasi?ha Temple inscriptions -- Kevala-Narasi?ha Temple Ramtek Inscription No. 1 -- Kevala-Narasi?ha Temple Ramtek Inscription No. 2 -- The Ramtek Stone Inscription of the time of R?macandra -- Synopsis of the contents -- Editorial principles -- Edition -- Translation -- 6 The Ramtek Inscriptions II: The V?k??aka inscription in the Kevala-Narasi?ha Temple (Together with Harunaga Isaacson) -- Introduction -- Palaeography. 327 $aNote on the edition and translation -- Text -- Divergent readings of Jamkhedkar's edition -- Translation -- Annotation -- Analysis and interpretation -- V?k??aka Gupta relations -- 7 Throne and Temple: Political power and religious prestige in Vidarbha -- Introduction -- The V?k??aka period -- The V?k??aka inscriptions -- Policy of the V?k??aka kings -- The Y?dava period -- Ramtek Hill: Theatre of Plenipotentiaries -- 8 Little K???a's Play with the Moon -- The literary evidence -- Baby K???a's play with the moon -- The archaeological evidence -- Conclusion -- 9 Some Methodological Considerations with Respect to the Critical Edition of Puranic Literature -- Introduction -- The theory of 'oral composition' -- Composition-in-transmission -- The critical edition of epic and puranic literature -- The critical edition of the Ayodhy?m?h?tmya -- 10 P?rvat?'s Svaya?vara: Studies in the Skandapur??a I -- Introduction -- The wedding of ?iva and Parvat? -- ?iva's exclusion from the sacrifice -- ?iva as the cosmic child -- P?rvat?'s Svaya?vara -- The synoptic edition of the Svaya?vara myth -- Conclusion -- P?rvat?'s Svaya?vara: A Textual Reconstruction -- 11 Mok?adharma 187 and 239-241 Reconsidered (Together with Peter Bisschop) -- Preamble -- Three themes -- The five elements -- The intellectual apparatus -- Sattva and k?etrajña -- The 'evolution theory' -- The Mok?adharma: a plurality of views -- Appendix: Some parallels of Mok?adharma 187 and 239-241 -- 12 Observations on the History and Culture of Dak?i?a Kosala (5th to 7th centuries ad) -- Introduction -- The P???avas of Mekal? -- The family descending from Amara in Kosala -- The rulers of ?arabhapur -- The P???uva??a of ?r?pura -- The date of the P???uva??a dynasty of ?r?pura -- T?varadeva -- Mah??ivagupta B?l?rjuna -- T?l? -- The Ji?h?n? Temple. 327 $a13 Soma?arman, Somava??a and Somasiddh?nta A P??upata tradition in seventh-century Dak?i?a Kosala: Studies in the Skandapur??a III -- Har?ya Nama? -- ?aiva cosmology -- The P??upata movement -- The epigraphical evidence from Malhar -- Malhar (Junv?n?) Copperplates of Mah??ivagupta, Year 57: ll. 8-23 -- Translation -- Interpretation -- Soma?arman and the Somasiddh?nta -- The evidence of the Skandapur??a -- Soma?arman, Somava??a and Somasiddh?nta -- Part II: Studies in the Early History and Culture of North India -- 14 A Theatre of Broken Dreams: Vidi?? in the days of Gupta hegemony -- Prologue -- Act 1: R?magupta -- The story of the Dev?candragupta -- Candragupta's matrimonial policy and the triangle of power -- Act 2 Govindagupta -- The testimony of Prabh?kara -- Act 3 Gha?otkacagupta -- K?lid?sa's M?lavik?gnimitra -- The V?k??aka-Gupta conflict -- Finale -- Epilogue -- 15 Royal Patronage and Religious Tolerance: The formative period of Gupta-V?k??aka culture -- Udayagiri -- Royal patronage -- Mandhal -- Padmapura -- Mu??asv?min -- R?magiri -- Mansar -- Conclusion -- 16 R?ma's Hill: Transgression and atonement on a Hill in the South and the inadequacy of substitutes -- Preamble -- The ?aivala Mountain of the R?m?ya?a -- The R?magiri -- The epigraphical evidence -- Vi??upada -- Narasi?ha -- The Pilgrim's Satchel -- Conclusion -- 17 A New Interpretation of R?magiri Evidence -- 1 Trivikrama: Word and Statue -- Preamble -- Ma?galav?da: Kevala Narasim. ha Temple (KNT) Inscription verse 1 -- The KNT Inscription verse 21 -- The discovery of the KNT Inscription -- 2 The Gupta-V?k??aka Relationship -- Preamble -- The Pra?asti. KNT Inscription verses 2-19 -- Conjectured narrative structure of the KNT Inscription -- The Daughter named Mu??a -- The Gupta-V?k??aka relationship -- The narration of the KNT Inscription -- 3 The Trivikrama Temple -- Preamble. 327 $aThe Trivikrama Temple -- The iconography of the Trivikrama image -- The pious works of Atibh?vat? -- Conclusion -- 18 A Note on Skandagupta's Bhitar? Stone Pillar: Inscription, verses 8-12 Commemorating the dead -- Ajay Mitra Shastri -- Skandagupta's Bhitar? Inscription vv. 8-12 -- Concluding remarks on the inscription and the site of Bhitar? -- Appendix -- Skandagupta's Bhitar? Stone Pillar Inscription vv. 8-12 -- 19 The So-called: 'Jaunpur Stone Inscription of ??varavarman' -- Preamble -- Introduction -- The Jaunpur Stone Inscription -- Text -- Translation and annotation -- Conclusion -- 20 The Temple of Ma??ale?varasv?min: The Mu??e?var? Inscription of the time of Udayasena reconsidered -- Introduction -- The temple on Mu??e?var? Hill -- The date of the Mu??e?var? Inscription -- The Mu??e?var? Inscription, Year 30 -- Transliteration -- Emended, orthographic edition -- Translation -- Interpretation -- Ma??ale?vara and the Skandapur??a -- 21 Monuments to the Dead in Ancient North India -- Preamble -- The funerary monument in Sanskrit literature -- The ai??ka of the Vi??udharmottarapur??a -- The e??ka -- The archaeology of the funerary monument -- Memorials -- Pratim?g?has -- Memorial Stones -- Ai??kas -- Ahichhatra -- Mansar -- Funerary monuments with mortuary deposits -- Sui Vihar -- The archaeology of the ?ma?an? -- The Kumh?ra ?ek?? in Ujjain -- The e??ka at Mansar -- A funerary monument to Prabh?vat? Gupta? -- Conclusion -- Appendix -- Ai??kar?panirm??a Vi??udharmottara 3.84.1-15 (emended) -- 22 Puru?amedha, Manasarapuru?a, V?stupuru?a: The image of man in the sacrificial context -- The image of man -- Human sacrifice in India -- Installation of the house or V?stuprati??ha -- Excursus upon the construction of the gnicayana altar -- Preliminary conclusion -- Archaeological evidence for the construction sacrifice -- Kau??mb? -- Mansar. 327 $aThe V?stupuru?a -- Kandhar -- Curdi -- Final remark -- 23 Rama Devotion in a ?aiva Holy Place: The case of V?r??as? -- Introduction -- Tuls?d?s, ?iva, and the Name -- The Agastyasa?hit? -- The Tradition of the saving mantra -- The K???kha??a -- The Skandapur??a -- Textual criticism -- The saving mantra in the Skandapur??a -- Avimukta -- Conclusion -- 24 The Hindu Religion and War -- Preamble -- A?oka and ancient warfare in India -- The Artha??stra -- The principle of ahi?s? and the rules of war -- Ahi?s? -- The Bhagavadg?t? -- The rules of war -- The reports of Megasthenes and Ibn Ba????a -- The idea of a 'just war' -- The battle and the sacrifice -- Hinduism and Islam -- The conquest of northern India -- The case of V?r??as? -- Epilogue -- Part III: Studies in Early Saivism -- 25 Sources for Reconstructing Ancient Forms of ?iva Worship -- ?iva Caturmukha -- The myth of Tilottam? -- Images of ?iva in his quadruple form -- Epigraphic sources attesting the worship of ?iva -- Early Sanskrit sources of li?ga worship -- The P??upatas?tra and its commentary -- The Mah?bh?rata -- The R?m?ya?a -- Concluding observations -- The evidence of the Skandapur??a -- Conclusions -- Textual sources -- 26 At the Right Side of the Teacher: Imagination, imagery, and image in Vedic and ?aiva initiation -- Introduction -- The sitting position of teacher and pupil in the Vedic Upanayana ritual -- The ?atapathabr?hma?a -- The G?hyas?tras -- The sitting position of the preceptor and his audience -- The sitting position of guru and novice in arly ?aiva initiation ritual -- Initiation in the P??upata tradition -- The Dak?i??m?rti -- The definition of god's figure of grace -- The Dak?i??m?rti and iconography -- The development of a cult concept into an iconic image -- A Dak?i??m?rti on a crossbar found in Nagar? -- Dak?a's sacrifice and his instruction in the P??upata vrata. 327 $a27 Thanesar, the P??upata Order and the Skandapur??a: Studies in the Skandapur??a IX. 330 $aThe 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together. One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239?241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop. 410 0$aGonda Indological Studies;$vvolume20. 606 $aHinduism$2bicssc 607 $aIndia$xHistory 607 $aIndia$xCivilization 607 $aIndia$xSocial life and customs 610 $aHinduism 615 7$aHinduism 700 $aBakker$b Hans$f1948-$4auth$0640060 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910404255203321 996 $aHoly ground: where art and text meet$94131558 997 $aUNINA LEADER 03888nam 22008775 450 001 9910961076503321 005 20240718195744.0 010 $a9781349455041 010 $a1349455040 010 $a9781137306111 010 $a1137306114 024 7 $a10.1057/9781137306111 035 $a(CKB)2550000001105056 035 $a(EBL)1161358 035 $a(OCoLC)832372459 035 $a(SSID)ssj0000915022 035 $a(PQKBManifestationID)12412439 035 $a(PQKBTitleCode)TC0000915022 035 $a(PQKBWorkID)10883584 035 $a(PQKB)10538630 035 $a(SSID)ssj0001659977 035 $a(PQKBManifestationID)16439102 035 $a(PQKBTitleCode)TC0001659977 035 $a(PQKBWorkID)14987237 035 $a(PQKB)11463018 035 $a(DE-He213)978-1-137-30611-1 035 $a(MiAaPQ)EBC1161358 035 $a(Perlego)3485503 035 $a(EXLCZ)992550000001105056 100 $a20151123d2013 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPerforming Hybridity in Colonial-Modern China /$fby S. Liu 205 $a1st ed. 2013. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2013. 215 $a1 online resource (260 p.) 225 1 $aPalgrave Studies in Theatre and Performance History,$x2947-5775 300 $aDescription based upon print version of record. 311 08$a9781137306104 311 08$a1137306106 311 08$a9781299407022 311 08$a1299407021 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Dedication; Contents; List of Illustrations ; Acknowledgments ; Note on Translation and Names ; Introduction: Modernity, Interculturalism, and Hybridity ; 1. Emergence of a National Theatrical Discourse ; 2. Hybrid Sources: Western, Japanese, and Chinese ; 3. Hybridization in Shanghai 327 $a4. Literary Hybridity: Scripts and Scenarios 5. Translative Hybridity: Acculturation and Foreignization ; 6. Performance Hybridity: Searching for Conventions ; Epilogue ; Notes ; Bibliography ; Index 330 $aIn Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre. 410 0$aPalgrave Studies in Theatre and Performance History,$x2947-5775 606 $aEthnology$zAsia 606 $aCulture 606 $aArts 606 $aPerforming arts 606 $aTheater 606 $aTheater$xHistory 606 $aAsian Culture 606 $aArts 606 $aTheatre and Performance Arts 606 $aTheatre History 615 0$aEthnology 615 0$aCulture. 615 0$aArts. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aTheater$xHistory. 615 14$aAsian Culture. 615 24$aArts. 615 24$aTheatre and Performance Arts. 615 24$aTheatre History. 676 $a792.1 700 $aLiu$b S$4aut$4http://id.loc.gov/vocabulary/relators/aut$01335266 906 $aBOOK 912 $a9910961076503321 996 $aPerforming Hybridity in Colonial-Modern China$94328033 997 $aUNINA