LEADER 02069nam 2200385z- 450 001 9910404219603321 005 20230821215625.0 010 $a989-26-1689-8 035 $a(CKB)4100000011302735 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/45665 035 $a(EXLCZ)994100000011302735 100 $a20202102d2019 |y 0 101 0 $apor 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEça Naturalista: O Crime do Padre Amaro e O Primo Basílio na imprensa coeva 210 $cCoimbra University Press$d2019 215 $a1 electronic resource (180 p.) 225 1 $aDocumentos 311 $a989-26-1688-X 330 $aThis book examines the reception of the first two novels by Eça de Queirós, which introduced naturalistic aesthetics in Portugal. Without entirely breaking away from Balzacian realism, Émile Zola, in his saga of the Rougon-Macquart, established a set of technical narrative procedures, imported from Flaubert?s Madame Bovary, which would define the prevailing poetics of the novel in Europe until the end of the 1880s. Eça's early adoption of these rules (namely narrative impersonality, internal characterization and free indirect speech), first in O Crime do Padre Amaro and later in O Primo Basílio, make the Portuguese writer the first naturalist novelist outside French territory. The theoretical and critical reflection on the Portuguese naturalist movement is accompanied by the reproduction of the main pieces published in the Portuguese press on these Queirosian novels. 517 $aEça Naturalista 517 $aEça Naturalista 610 $aEça de queirós 610 $aReception studies 610 $aRealism 610 $aNaturalism 610 $aPress 700 $aLourenc?o$b Anto?nio Apolina?rio$4auth$0702280 906 $aBOOK 912 $a9910404219603321 996 $aEça Naturalista: O Crime do Padre Amaro e O Primo Basílio na imprensa coeva$93032024 997 $aUNINA