LEADER 00742nam0-22002771i-450- 001 990006186400403321 005 19980601 035 $a000618640 035 $aFED01000618640 035 $a(Aleph)000618640FED01 035 $a000618640 100 $a19980601d1924----km-y0itay50------ba 105 $a--------00-yy 200 1 $aAutor du fascisme italien$fFrancesco Cambo. 210 $aParis$cLibraire Plan$d1924 215 $a252 p.$d20 cm 676 $a321.9 700 1$aCambó,$bFrancesc$f<1876-1947>$0409182 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006186400403321 952 $aXVII L 354$b15492$fFGBC 959 $aFGBC 996 $aAutor du fascisme italien$9646322 997 $aUNINA DB $aGIU01 LEADER 03434nam 2200613Ia 450 001 9910404144803321 005 20250226171213.0 024 7 $a10.7765/9781526139863 035 $a(CKB)4100000011301871 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28404 035 $a(DE-B1597)660145 035 $a(DE-B1597)9781526139863 035 $a(OCoLC)1163806230 035 $a(ScCtBLL)13371e9b-4a1b-4fe4-a94b-1f2f0a9f9276 035 $a(oapen)doab28404 035 $a(EXLCZ)994100000011301871 100 $a20231101h20202020 fg 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aComradely objects $eDesign and material culture in Soviet Russia, 1960s-80s /$fYulia Karpova 210 $aManchester$cManchester University Press$d2020 210 1$aManchester :$cManchester University Press,$d[2020] 210 4$d©2020 215 $a1 electronic resource (232 p.) 225 0 $aStudies in Design and Material Culture 311 08$a9781526139870 311 08$a1526139871 311 08$a9781526139863 311 08$a1526139863 327 $tFront matter --$tDedication --$tContents --$tList of plates --$tList of figures --$tAcknowledgements --$tAbbreviations and acronyms --$tNote on transliteration and translation --$tIntroduction --$t1 The aesthetic turn after Stalin --$t2 Technical aesthetics against the disorder of things --$t3 Objects of neodecorativism --$t4 From objects to design programmes --$t5 A new production culture and non-commodities --$tEpilogue --$tSelect bibliography --$tIndex 330 $aThis electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Russian avant-garde of the 1920s is broadly recognised to have been Russia's first truly original contribution to world culture. In contrast, Soviet design of the post-war period is often dismissed as hack-work and plagiarism that resulted in a shabby world of commodities. This book offers a new perspective on the history of Soviet design by focusing on the notion of the comradely object as an agent of progressive social relations that state-sponsored Soviet design inherited from the avant-garde. It introduces a shared history of domestic objects, hand-made as well as machine made, mass-produced as well as unique, utilitarian as well as challenging the conventional notion of utility. This is a study of post-avant-garde Russian productivism at the intersection of intellectual history, social history and material culture studies, an account attentive to the complexities and contradictions of Soviet design. 606 $aArt & design styles: from c 1960$2bicssc 606 $aMaterial culture$2bicssc 606 $aFormer Soviet Union, USSR (Europe)$2bicssc 610 $aSoviet design 610 $amaterial culture 610 $ahousehold objects 610 $adecorative art 610 $alate socialism 615 7$aArt & design styles: from c 1960 615 7$aMaterial culture 615 7$aFormer Soviet Union, USSR (Europe) 676 $a745.4094709046 700 $aKarpova$b Yulia$4aut$4http://id.loc.gov/vocabulary/relators/aut$01312885 702 $aKarpova$b Yulia 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910404144803321 996 $aComradely objects$93031071 997 $aUNINA