LEADER 04276nam 2200685Ia 450 001 9910404144603321 005 20240531152710.0 010 $a9781526131362 010 $a1526131366 010 $a9781526131379 010 $a1526131374 024 7 $a10.7765/9781526147295 035 $a(CKB)4100000011301873 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/32137 035 $a(DE-B1597)660521 035 $a(DE-B1597)9781526147295 035 $a(OCoLC)1163828931 035 $a(ScCtBLL)14785724-c131-4d8c-a099-28ec965c3491 035 $a(Perlego)1526358 035 $a(oapen)doab32137 035 $a(EXLCZ)994100000011301873 100 $a20231101h20202020 fg 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBeyond observation $eA history of authorship in ethnographic film /$fPaul Henley 210 $aManchester$cManchester University Press$d2020 210 1$aManchester :$cManchester University Press,$d[2020] 210 4$dİ2020 215 $a1 electronic resource (568 p.) 225 0 $aAnthropology, Creative Practice and Ethnography 311 08$a9781526131348 311 08$a152613134X 311 08$a9781526147295 311 08$a1526147297 327 $tFront matter -- $tDedication -- $tContents -- $tList of figures -- $tAcknowledgements -- $tGeneral introduction -- $tPart I: Histories: ethnographic film in the twentieth century -- $tIntroduction -- $t1 The long prehistory of ethnographic film -- $t2 Travel films, melodrama and the origins of ethnofiction -- $t3 The invisible author -- $t4 Records, not movies -- $t5 Reflexivity and participation -- $t6 Entangled voices -- $t7 The subject as author -- $tPart I: Histories: ethnographic film in the twentieth century -- $tIntroduction -- $t8 Jean Rouch -- $t9 Robert Gardner -- $t10 Colin Young -- $tPart I: Histories: ethnographic film in the twentieth century -- $tIntroduction -- $t11 Ways of doing ethnographic film on British television -- $t12 Beyond the 'disappearing world' - and back again -- $t13 The decline of ethnographic film on British television -- $tPart I: Histories: ethnographic film in the twentieth century -- $tIntroduction -- $t14 The evolution of Observational Cinema -- $t15 Negative capability and the flux of life -- $t16 Participatory perspectives -- $tAn epilogue Return to Kiriwina - the ethnographic film-maker as author -- $tAppendix -- $tTextual references -- $tSelected film references -- $tIndex 330 $aThis electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. A history of ethnographic film from the birth of cinema in 1895 until 2015 that analyses a large number of films made in a broad range of styles, on a broad range of topics and in many different parts of the world.For the period before the Second World War, it considers films made in reportage, exotic melodrama and travelogue genres as well as more conventionally ethnographic films made for academic and state-funded purposes. It then describes how after the war, ethnographic film-makers developed various different modes of authorship inspired by the ideas of Jean Rouch, Robert Gardner and Colin Young. It also considers films made from the 1970s by the indigenous subjects themselves as well as those made for British television up until the 1990s. In the final part, it examines various possible models for the future of ethnographic film. 606 $aAnthropology$2bicssc 606 $aSocial & cultural anthropology, ethnography$2bicssc 606 $aDocumentary films$2bicssc 610 $aethnographic film 610 $aauthorship 610 $aobservational cinema 610 $aindigenous media 610 $atelevision 610 $asensory media 615 7$aAnthropology 615 7$aSocial & cultural anthropology, ethnography 615 7$aDocumentary films 676 $a301 700 $aHenley$b Paul$4aut$4http://id.loc.gov/vocabulary/relators/aut$01294289 702 $aHenley$b Paul, 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910404144603321 996 $aBeyond observation$93023086 997 $aUNINA