LEADER 02017oam  22004814a 450 
001 9910404132403321
005 20230621135400.0
010   $a1-60606-538-6
035   $a(CKB)4100000011301995
035   $a(OCoLC)1152061014
035   $a(MdBmJHUP)muse85594
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/51070
035   $a(oapen)doab51070
035   $a(EXLCZ)994100000011301995
100   $a20170714h20182018  uy         0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aKeep It Moving?$eConserving Kinetic Art /$fRachel Rivenc and Reinhard Bek, editors
210   $cGetty Publications
215   $a1 online resource (xi, 175 pages) : $ccolor illustrations ;
311 08$a1-60606-537-8 
320   $aIncludes bibliographical references.
330   $aKinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s.
606   $aKinetic art$xConservation and restoration$vCongresses
608   $aElectronic books. 
615  0$aKinetic art$xConservation and restoration
676   $a709.04/07
700   $aRachel Rivenc$4auth$01838153
702   $aBek$b Reinhard
702   $aRivenc$b Rachel
712 02$aPalazzo reale di Milano,
712 02$aMuseo del Novecento (Milan, Italy),
712 02$aICOM Committee for Conservation.$bWorking Group Modern Materials and Contemporary Art,
712 02$aGetty Conservation Institute,
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910404132403321
996   $aKeep It Moving$94417082
997   $aUNINA