LEADER 04317oam 2200913 c 450 001 9910404104903321 005 20260302090207.0 010 $a9783839439029 010 $a3839439027 024 7 $a10.14361/9783839439029 035 $a(CKB)4910000000016229 035 $a(DE-B1597)481377 035 $a(DE-B1597)9783839439029 035 $a(OCoLC)1198929269 035 $a(MiAaPQ)EBC6756521 035 $a(Au-PeEL)EBL6756521 035 $a(transcript Verlag)9783839439029 035 $a(MiAaPQ)EBC6955952 035 $a(Au-PeEL)EBL6955952 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/45128 035 $a(MiAaPQ)EBC30591512 035 $a(Au-PeEL)EBL30591512 035 $a(Perlego)1530931 035 $a(oapen)doab45128 035 $a(EXLCZ)994910000000016229 100 $a20260302d2020 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDigital Image Systems$ePhotography and New Technologies at the Düsseldorf School$fClaus Gunti 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2020 215 $a1 online resource (352 p.) 225 0 $aImage 311 08$a9783837639025 311 08$a3837639029 327 $aFrontmatter 1 Contents 4 Introduction 8 A FRAMING THE DU?SSELDORF SCHOOL 20 B WHAT IS DIGITAL PHOTOGRAPHY? 31 Introduction 40 A EMERGENCE OF A GERMAN DOCUMENTARY TRADITION 47 B THE END OF PHOTOGRAPHY 77 C DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY 98 Introduction 116 A PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S 120 B SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN 137 Introduction 154 A DIGITAL RETOUCHING TOOLS 156 B DIGITAL STITCHING 175 C EARLY DIGITAL COMPOSITIONS 203 D THOMAS RUFF'S ANALOGUE AND DIGITAL EXPERIMENTS WITH THE PORTRAIT 219 Introduction 240 A COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD 243 B IMAGE RECYCLING AND APPROPRIATIVE POSITIONS 259 C THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION 300 D GENERIC PICTURE REALITIES 314 5 Conclusion 320 A BIBLIOGRAPHY 334 B INDEX 346 C ACKNOWLEDGEMENTS 349 330 $aIn Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«. 410 0$aImage 517 2 $aGunti, Digital Image Systems$ePhotography and New Technologies at the Düsseldorf School 606 $aPhotography 606 $aArt 606 $aDigital 606 $aCulture 606 $aComputer 606 $aGermany 606 $aDüsseldorf School 606 $aThomas Ruff 606 $aAndreas Gursky 606 $aJörg Sasse 606 $aArt History of the 21st Century 606 $aEuropean Art 606 $aVisual Studies 606 $aFine Arts 615 4$aPhotography 615 4$aArt 615 4$aDigital 615 4$aCulture 615 4$aComputer 615 4$aGermany 615 4$aDüsseldorf School 615 4$aThomas Ruff 615 4$aAndreas Gursky 615 4$aJörg Sasse 615 4$aArt History of the 21st Century 615 4$aEuropean Art 615 4$aVisual Studies 615 4$aFine Arts 676 $a771 700 $aGunti$b Claus$p

Claus Gunti, University of Neuchâtel and University of Art and Design Lausanne, Schweiz

$4aut$0967944 712 02$aSwiss National Science Foundation (SNSF)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910404104903321 996 $aDigital Image Systems$92198280 997 $aUNINA