LEADER 01059nam 2200349 n 450 001 9910404061303321 005 20230221125728.0 035 $a(CKB)4100000011302441 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/56425 035 $a(oapen)doab56425 035 $a(EXLCZ)994100000011302441 100 $a20202102d2020 |y 0 101 0 $aspa 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPluralismo médico y curas alternativas 210 $cPublicacions Universitat Rovira i Virgili$d2020 215 $a1 electronic resource (232 p.) 225 1 $aAntropologia Mèdica 311 08$a84-8424-859-3 606 $aAnthropology$2bicssc 610 $apluralismo asistencial 610 $aantropología médica 610 $asalud 615 7$aAnthropology 700 $aCoral Cuadrada (ed.)$4auth$01323392 906 $aBOOK 912 $a9910404061303321 996 $aPluralismo médico y curas alternativas$93035489 997 $aUNINA LEADER 04324nam 22006372 450 001 9910963751703321 005 20151005020621.0 010 $a1-107-12340-2 010 $a1-280-43330-2 010 $a0-511-61298-2 010 $a0-511-17487-X 010 $a0-511-04158-6 010 $a0-511-15496-8 010 $a0-511-32855-9 010 $a0-511-04380-5 035 $a(CKB)1000000000007053 035 $a(EBL)201975 035 $a(OCoLC)475916359 035 $a(SSID)ssj0000241339 035 $a(PQKBManifestationID)11924980 035 $a(PQKBTitleCode)TC0000241339 035 $a(PQKBWorkID)10268257 035 $a(PQKB)11115770 035 $a(UkCbUP)CR9780511612985 035 $a(MiAaPQ)EBC201975 035 $a(Au-PeEL)EBL201975 035 $a(CaPaEBR)ebr10001879 035 $a(CaONFJC)MIL43330 035 $a(EXLCZ)991000000000007053 100 $a20090914d2001|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSatires of Rome $ethreatening poses from Lucilius to Juvenal /$fKirk Freudenburg 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2001. 215 $a1 online resource (xviii, 289 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a0-521-00621-X 311 08$a0-521-80357-8 320 $aIncludes bibliographical references (p. 278-284) and index. 327 $a1. Horace. The diatribe satires (Sermones 1.1-1.3): "You're no Lucilius" Sermones book 1 and the problem of genre. Remembered voices: satire made new in Sermones 1.1. The social poetics of Horatian libertas: since when is "enough" a "feast"? Hitting satire's finis: along for the ride in Sermones 1.5. Dogged by ambition: Sermones 1.6-10. Book 2 and the totalitarian squeeze: new rules for a New Age. Panegyric bluster and Ennius' Scipio in Horace, Sermones 2.1. Coming to terms with Scipio: the new look of post-Actian satire. Big friends and bravado in Sermones 2.1. Book 2 and the hissings of compliance. Nasidienus' dinner-party: too much of not enough -- 2. Persius. Of narrative and cosmogony: Persius and the invention of Nero. The Prologue: top-down aesthetics and the making of oneself. Faking it in Nero's orgasmatron: Persius 1 and the death of criticism. The satirist-physician and his out-of-joint world. Satire's lean feast: finding a lost "pile" in P. 2. Teaching and tail-wagging, critique as crutch: P. 4. Left for broke: satire as legacy in P. 6 -- 3. Juvenal. A lost voice found: Juvenal and the poetics of too much, too late. Rememberred monsters: time warp and martyr tales in Trajan's Rome. Ghost-assault in Juv. 1. The poor man's Lucilius. Life on the edge: from exaggeration to self-defeat. Beating a dead fish: the emperor-satirist of Juv. 4. Satires 3 and 5: the poor man's lunch of Umbricius and Trebius. 330 $aThis survey of Roman satire locates its most salient possibilities and effects at the center of every Roman reader's cultural and political self-understanding. This book describes the genre's numerous shifts in focus and tone over several centuries (from Lucilius to Juvenal) not as mere 'generic adjustments' that reflect the personal preferences of its authors, but as separate chapters in a special, generically encoded story of Rome's lost, and much lionized, Republican identity. Freedom exists in performance in ancient Rome: it is a 'spoken' entity. As a result, satire's programmatic shifts, from 'open' to 'understated' to 'cryptic' and so on, can never be purely 'literary' and 'apolitical' in focus and/or tone. In Satires of Rome, Professor Freudenburg reads these shifts as the genre's unique way of staging and agonizing over a crisis in Roman identity. Satire's standard 'genre question' in this book becomes a question of the Roman self. 606 $aVerse satire, Latin$xHistory and criticism 607 $aRome$xIn literature 615 0$aVerse satire, Latin$xHistory and criticism. 676 $a871/.0109 700 $aFreudenburg$b Kirk$f1961-$0302204 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910963751703321 996 $aSatires of Rome$9732263 997 $aUNINA