LEADER 03023nam 22006855 450 001 9910383859903321 005 20201028234844.0 010 $a1-322-97431-4 010 $a1-4008-4383-9 024 7 $a10.1515/9781400843831 035 $a(CKB)2660000000000174 035 $a(EBL)1977740 035 $a(OCoLC)738550840 035 $a(SSID)ssj0000333484 035 $a(PQKBManifestationID)11242054 035 $a(PQKBTitleCode)TC0000333484 035 $a(PQKBWorkID)10355619 035 $a(PQKB)10814789 035 $a(MiAaPQ)EBC1977740 035 $a(OCoLC)558428609 035 $a(MdBmJHUP)muse49025 035 $a(DE-B1597)459764 035 $a(OCoLC)979578975 035 $a(DE-B1597)9781400843831 035 $a(dli)HEB06245 035 $a(MiU)MIU01000000000000007294860 035 $a(PPN)259898694 035 $a(EXLCZ)992660000000000174 100 $a20190708d1996 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aUnsung Voices $eOpera and Musical Narrative in the Nineteenth Century /$fCarolyn Abbate 210 1$aPrinceton, NJ :$cPrinceton University Press,$d[1996] 210 4$dİ1996 215 $a1 online resource (288 p.) 225 0 $aPrinceton Studies in Opera ;$v1 300 $aDescription based upon print version of record. 311 $a0-691-09140-4 311 $a0-691-02608-4 320 $aIncludes bibliographical references (p. [275]-282) and index. 327 $tFrontmatter --$tCONTENTS --$tPreface --$tChapter One. Music's Voices --$tChapter Two. What the Sorcerer Said --$tChapter Three. Cherubino Uncovered: Reflexivity in Operatic Narration --$tChapter Four. Mahler's Deafness: Opera and the Scene of Narration in Todtenfeier --$tChapter Five. Wotan's Monologue and the Morality of Musical Narration --$tChapter Six. Brünnhilde Walks by Night --$tNotes --$tBibliography --$tIndex 330 $aWho "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. 410 0$aPrinceton studies in opera. 606 $aNarrative in music 606 $aMusic$y19th century$xPhilosophy and aesthetics 606 $aOpera$y19th century 615 0$aNarrative in music. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aOpera 676 $a782.1/09/034 700 $aAbbate$b Carolyn$0749367 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910383859903321 996 $aUnsung Voices$92160670 997 $aUNINA