LEADER 04517nam 22007815 450 001 9910377824603321 005 20200630223713.0 010 $a3-030-38930-8 024 7 $a10.1007/978-3-030-38930-7 035 $a(CKB)4100000010348577 035 $a(DE-He213)978-3-030-38930-7 035 $a(MiAaPQ)EBC6040136 035 $z(PPN)258864761 035 $a(PPN)242980090 035 $a(EXLCZ)994100000010348577 100 $a20200207d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRobotic Musicianship$b[electronic resource] $eEmbodied Artificial Creativity and Mechatronic Musical Expression /$fby Gil Weinberg, Mason Bretan, Guy Hoffman, Scott Driscoll 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2020. 215 $a1 online resource (XVII, 256 p. 161 illus., 98 illus. in color.) 225 1 $aAutomation, Collaboration, & E-Services,$x2193-472X ;$v8 311 $a3-030-38929-4 327 $aIntroduction -- Georgia Tech?s Robotic Musicianship Platforms -- Listen Like A Human -- Play Like A Machine -- Social Interaction through Gestures -- Watch and Learn -- Wearable Robotic Musicians. . 330 $aThis book discusses the principles, methodologies, and challenges of robotic musicianship through an in-depth review of the work conducted at the Georgia Tech Center for Music Technology (GTCMT), where the concept was first developed. Robotic musicianship is a relatively new research field that focuses on the design and development of intelligent music-making machines. The motivation behind the field is to develop robots that not only generate music, but also collaborate with humans by listening and responding in an expressive and creative manner. This combination of human and machine creativity has the potential to surprise and inspire us to play, listen, compose, and think about music in new ways. The book provides an in-depth view of the robotic platforms designed at the GTCMT Robotic Musicianship Group, including the improvisational robotic percussionists Haile and Shimon, the personal robotic companion Shimi, and a number of wearable robots, such as the Robotic Drumming Prosthesis, The Third Drumming Arm, and the Skywalker Piano Hand. The book discusses numerous research studies based on these platforms in the context of five main principles: Listen like a Human, Play Like a Machine, Be Social, Watch and Learn, and Wear It. . 410 0$aAutomation, Collaboration, & E-Services,$x2193-472X ;$v8 606 $aAcoustical engineering 606 $aRobotics 606 $aAutomation 606 $aMusic 606 $aMathematics 606 $aArtificial intelligence 606 $aComputational intelligence 606 $aEngineering Acoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/T16000 606 $aRobotics and Automation$3https://scigraph.springernature.com/ontologies/product-market-codes/T19020 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aMathematics in Music$3https://scigraph.springernature.com/ontologies/product-market-codes/M33000 606 $aArtificial Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/I21000 606 $aComputational Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/T11014 615 0$aAcoustical engineering. 615 0$aRobotics. 615 0$aAutomation. 615 0$aMusic. 615 0$aMathematics. 615 0$aArtificial intelligence. 615 0$aComputational intelligence. 615 14$aEngineering Acoustics. 615 24$aRobotics and Automation. 615 24$aMusic. 615 24$aMathematics in Music. 615 24$aArtificial Intelligence. 615 24$aComputational Intelligence. 676 $a006.45 700 $aWeinberg$b Gil$4aut$4http://id.loc.gov/vocabulary/relators/aut$01062795 702 $aBretan$b Mason$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aHoffman$b Guy$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aDriscoll$b Scott$4aut$4http://id.loc.gov/vocabulary/relators/aut 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910377824603321 996 $aRobotic Musicianship$92528597 997 $aUNINA