LEADER 01517oam 2200421zu 450 001 9910376069003321 005 20240607152053.0 035 $a(CKB)3170000000004248 035 $a(SSID)ssj0000812236 035 $a(PQKBManifestationID)11447565 035 $a(PQKBTitleCode)TC0000812236 035 $a(PQKBWorkID)10859917 035 $a(PQKB)11450905 035 $a(Association for Computing Machinery)10.1145/1833335 035 $a(EXLCZ)993170000000004248 100 $a20160829d2010 uy 101 0 $aeng 135 $aurnn#008mam|a 181 $ctxt$2rdacarrier 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aProceedings of the 2010 Icse Workshop on Sharing and Reusing Architectural Knowledge 210 31$a[Place of publication not identified] :$cAssociation for Computing Machinery,$d2010. 215 $a1 online resource (109 pages) 225 0 $aACM Conferences. 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-60558-967-5 517 3 $aSHARK '10 606 $aInformation Technology$xComputer Science (Hardware & Networks) 615 4$aInformation Technology$xComputer Science (Hardware & Networks) 700 $aAvgeriou$b Paris$0887137 702 $aAvgeriou$b Paris 712 02$aAssociation for Computing Machinery-Digital Library. 801 0$bPQKB 906 $aBOOK 912 $a9910376069003321 996 $aProceedings of the 2010 Icse Workshop on Sharing and Reusing Architectural Knowledge$92129067 997 $aUNINA LEADER 04538nam 22007095 450 001 9910855367303321 005 20250807135715.0 010 $a9789819720347 010 $a9819720346 024 7 $a10.1007/978-981-97-2034-7 035 $a(MiAaPQ)EBC31315489 035 $a(Au-PeEL)EBL31315489 035 $a(CKB)31892685400041 035 $a(MiAaPQ)EBC31319815 035 $a(Au-PeEL)EBL31319815 035 $a(DE-He213)978-981-97-2034-7 035 $a(EXLCZ)9931892685400041 100 $a20240501d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEar Economy $eChina Audio Streaming Programs Study /$fby Ying Huang 205 $a1st ed. 2024. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (295 pages) 311 08$a9789819720330 311 08$a9819720338 327 $aPart I: The development of China's audio streaming programs -- Chapter 1: Background of the birth and development of China audio streaming programs -- Chapter 2: The history of audio in China -- Part II: Research on China's Internet Audio Program Industry in Comparative Perspective (2011-2022) -- Chapter 3: U.S. Podcast Industry 2011-2022 -- Chapter 4: British Podcast Industry 2011-2022 -- Chapter 5: World audiobook development 2011-2022 -- Chapter 6: China Podcast Industry 2011 - 2022 -- Chapter 7: The development of audiobooks in China from 2011 to 2022 -- Chapter 8: the current situation and trends in knowledge audio development around the world after 2011 -- Chapter 9: Status and Trends of Knowledge-Based Audio Development in China after 2011 -- Part III: Research on the development platform of Audio Streaming Programs -- Chapter 10: XiaoyuzhouFM -- Chapter 12: Himalaya -- Chapter 13: Missevan App -- Part IV: China Audio Streaming Programs IV -- Chapter 14: JustPod -- Chapter 15 ShengFM -- Chapter 16: Killing TV -- Chapter 17: The Book is Done -- Part V The Case Study of Audio Streaming Programming -- Chapter 18: Serial -- Chapter 19: Welcome Back To Sound -- Chapter 20: The Three-Body Problem -- Chapter 21: We Know Nothing -- Chapter 22: Analyses of the audience for Grandmaster of Demonic Cultivation -- Part VI Study on the Development Trend of Ear Economy in the Context of Global Audiovisual Ecology -- Chapter 23: Research on cultural tourism is empowered by podcasts -- Chapter 24: Podcasts as a Creative Tool for Film and Television -- Chapter 25: Study on Podcasting Empowered Brands. 330 $aThis book sheds light on the overall description and explanation of the current socio-political, economic and cultural environment concerning the development of China's audio streaming programs industry. It interprets the emergence of the ?ear economy? through the subjects of media ecology, media psychology, communication studies and cultural criticism, media industrial studies, sociology and anthropology. The book skillfully weaves together historical, cultural, and industry studies, along with textual and critical discourse analysis. This interdisciplinary work contributes to multiple academic fields including literary and cultural studies, media and communication studies, China/Asia studies, and political theory. Ying Huang is an Assistant Professor, Academy of Film, Macau University of Science and Technology, a post-doctoral fellow in School of Journalism and Communication, Tsinghua University. 606 $aDigital media 606 $aMass media and culture 606 $aCommunication and traffic 606 $aCommunication 606 $aInformation theory 606 $aMass media 606 $aDigital and New Media 606 $aMedia Culture 606 $aMedia Industries 606 $aMedia and Communication Theory 606 $aMedia Sociology 615 0$aDigital media. 615 0$aMass media and culture. 615 0$aCommunication and traffic. 615 0$aCommunication. 615 0$aInformation theory. 615 0$aMass media. 615 14$aDigital and New Media. 615 24$aMedia Culture. 615 24$aMedia Industries. 615 24$aMedia and Communication Theory. 615 24$aMedia Sociology. 676 $a302.231 700 $aHuang$b Ying$01737761 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910855367303321 996 $aEar Economy$94159689 997 $aUNINA