LEADER 01419oam 2200433zu 450 001 9910375814303321 005 20210807002143.0 035 $a(CKB)3170000000004148 035 $a(SSID)ssj0000809922 035 $a(PQKBManifestationID)12353237 035 $a(PQKBTitleCode)TC0000809922 035 $a(PQKBWorkID)10801380 035 $a(PQKB)11051369 035 $a(Association for Computing Machinery)10.1145/1597956 035 $a(EXLCZ)993170000000004148 100 $a20160829d2009 uy 101 0 $aeng 135 $aurnn|008mam|a 181 $ctxt 182 $cc 183 $acr 200 00$aAcm Siggraph 2009 Emerging Technologies 210 31$a[Place of publication not identified]$cAssociation for Computing Machinery$d2009 215 $a1 online resource (26 p.;) 225 1 $aACM Conferences 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-60558-833-4 410 0$aACM Conferences 517 3 $aSIGGRAPH '09 606 $aInformation Technology$xComputer Science (Hardware & Networks) 615 4$aInformation Technology$xComputer Science (Hardware & Networks) 700 $aWigdor$b Daniel$0952734 702 $aWigdor$b Daniel 712 02$aAssociation for Computing Machinery-Digital Library. 801 0$bPQKB 906 $aBOOK 912 $a9910375814303321 996 $aAcm Siggraph 2009 Emerging Technologies$92207766 997 $aUNINA LEADER 02926nam 22005295 450 001 9910300026303321 005 20250610110143.0 010 $a9783030003777 010 $a3030003779 024 7 $a10.1007/978-3-030-00377-7 035 $a(CKB)4100000006999346 035 $a(MiAaPQ)EBC5541354 035 $a(DE-He213)978-3-030-00377-7 035 $a(Perlego)3492557 035 $a(MiAaPQ)EBC29095894 035 $a(EXLCZ)994100000006999346 100 $a20181005d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFinding the Personal Voice in Filmmaking /$fby Erik Knudsen 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2018. 215 $a1 online resource (134 pages) 225 1 $aPalgrave Pivot 311 08$a9783030003760 311 08$a3030003760 327 $a1. Introduction -- 2. Why Create? -- 3. What is Creativity? -- 4. Why Story? -- 5. Transformations -- 6. Appendix. 330 $aThis book philosophically and creatively examines ways in which independent filmmakers may explore, through practice, the discovery and development of a personal voice in the making of their films. Filmmaker and academic, Professor Erik Knudsen, uses a combination of autoethnographic experience derived from his own filmmaking practice and new insights gained from a series of ethnomediaological StoryLab workshops with independent filmmakers in Malaysia, Ghana and Colombia to drive this innovative examination. The book contextualises this practice exploration within an eclectic psychological and philosophical framework that ranges from Jungian psychological theories of the collective unconscious to Sheldrakian scientific theories of morphic resonance, from Christian mystical ideas about creative motivation to structuralist theories that underpin our linguistic understanding of story and narrative. Why should we create? What is a creative act? This in-depth study tackles these questions by examining the early ideation stages of cinematic expression and ultimately seeks to understand the practical ways in which ideas are shaped into stories and narratives. . 410 0$aPalgrave pivot. 606 $aMotion picture authorship 606 $aMotion pictures$xProduction and direction 606 $aScreenwriting 606 $aFilm and Television Production 615 0$aMotion picture authorship. 615 0$aMotion pictures$xProduction and direction. 615 14$aScreenwriting. 615 24$aFilm and Television Production. 676 $a791.430232 676 $a791.4301 700 $aKnudsen$b Erik$4aut$4http://id.loc.gov/vocabulary/relators/aut$0866430 906 $aBOOK 912 $a9910300026303321 996 $aFinding the Personal Voice in Filmmaking$91933889 997 $aUNINA