LEADER 00971nas 2200373 c 450 001 9910891457603321 005 20171201160331.0 011 $a2110-5502 035 $a(CKB)2660000000033201 035 $a(OCoLC)796224497 035 $a(DE-101)1022231421 035 $a(DE-599)ZDB2662001-7 035 $a(EXLCZ)992660000000033201 100 $a20120510a19969999 |y | 101 0 $afre 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aActualite?s de la conservation$fBnF 210 31$aParis$d1996- 215 $aOnline-Ressource 311 08$a1277-6106 608 $aZeitschrift$2gnd-content 676 $a020 686 $a24,1$2ssgn 712 02$aBibliothe?que Nationale de France$4isb 801 0$b8897 801 1$bDE-101 801 2$b9999 906 $aJOURNAL 912 $a9910891457603321 996 $aActualite?s de la conservation$94229622 997 $aUNINA LEADER 05344oam 2200853 c 450 001 9910372790103321 005 20260102090118.0 010 $a9783839410745 010 $a3839410746 024 7 $a10.14361/9783839410745 035 $a(CKB)3710000000482823 035 $a(OAPEN)1007510 035 $a(DE-B1597)461272 035 $a(OCoLC)979596425 035 $a(OCoLC)980294176 035 $a(DE-B1597)9783839410745 035 $a(MiAaPQ)EBC5494357 035 $a(Au-PeEL)EBL5494357 035 $a(OCoLC)1049913293 035 $a(transcript Verlag)9783839410745 035 $a(MiAaPQ)EBC6955846 035 $a(Au-PeEL)EBL6955846 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31012 035 $a(ScCtBLL)b77226c1-4315-4e11-9c6f-2738dad92975 035 $a(CaOOCEL)10065915 035 $a(oapen)doab31012 035 $a(EXLCZ)993710000000482823 100 $a20260102h20152009 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMusic in Motion$eDiversity and Dialogue in Europe. Study in the frame of the »ExTra! Exchange Traditions« project$fBernd Clausen, Ursula Hemetek, Eva Saether, European Music Council 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2015 210 $d2015, c2009 215 $a1 online resource (438) 225 0 $aKultur und soziale Praxis 311 08$a9783837610741 311 08$a3837610748 327 $aFrontmatter 1 Table of Content 5 Prologue 9 Foreword. Extra! Exchange Traditions - On the Project 11 Preface. Music in Motion - A European Project 15 Europe and the Potentials of Music in Motion 55 Is There Such a Thing as European Racism? 69 The Music of Jewish Europe 85 Gelem, Gelem Lungone Dromeja - I Have Walked a Long Way 103 Music in the European-Turkish Diaspora 115 Music from African Immigrants in Europe 133 Translocal Communities 153 Urban Ethnomusicology: Past and Present 173 »Urban Myth«: Bhangra and the Dhol Craze in the UK 191 Dancing for Survival 209 How Balkan Rock Went West 233 Immigrant Musicians in an Urban Context 253 The Taranta - Dance of the Sacred Spider 271 Attitudes, Approaches, and Actions 287 Aspects of Formal and Informal Transmission of Music in the Immigrant Communities from Turkey 298 Music in the Immigrant Communities from Turkey in Germany 299 Transmission of Music in the Immigrant Communities from Turkey in Vienna, Austria 327 Intercultural Learning in Dialogue with Music 347 War on the Former Yugoslavian Territory 359 World Music Center 371 Experiences from a High School Project in Copenhagen 381 World Music in Rotterdam 395 The Teaching of Indian Music in an Institutional Framework in Europe 399 Jamila and the Others 407 Teaching Traditional Music 419 IV. Authors of the Publication 429 330 $aDiverse musical cultures of migrant and minority communities have existed in Europe for centuries and shaped its countries significantly. As part of an EU-funded project this volume deals with the musical activities of minorities and their impact on musical traditions in Europe. It also raises questions such as: How are musical traditions of minorities integrated in education and the public music life? Can music facilitate transcultural dialogue? And to what extent do musical practice and performance reassert the own cultural tradition in a foreign environment? Answers to those and similar questions as well as a review on what can be observed in the 21st century Europe are gathered in various thematic approaches. The book also provides model projects with a practical insight into the life and work with music of migrant and minority cultures across Europe. 330 1 $a»Was an diesem Buch fasziniert, sind die vielseitigen Themen, Blickwinkel und daraus resultierenden Ergebnisse. Die Lektüre, die wärmstens empfohlen wird, regt zu weiteren Überlegungen und Diskussionen an ? es ist ein Thema, das uns nicht unbeteiligt lässt.« 330 1 $aReviewed in:Stimme, 79 (2009), Gerda Lechleitner 410 0$aKultur und Soziale Praxis 517 2 $aClausen et al. (eds.), Music$eDiversity and Dialogue in Europe. Study in the frame of the »ExTra! Exchange Traditions« project 606 $aMusic 606 $aEurope 606 $aMigration 606 $aCulture 606 $aDialogue 606 $aMusicology 606 $aInterculturalism 615 4$aMusic 615 4$aEurope 615 4$aMigration 615 4$aCulture 615 4$aDialogue 615 4$aMusicology 615 4$aInterculturalism 676 $a780.9 686 $aLC 87005$2rvk 702 $aClausen$b Bernd$p

Bernd Clausen, Hochschule für Musik Würzburg, Deutschland

$4edt 702 $aHemetek$b Ursula$p

Ursula Hemetek, Universität für Musik und darstellende Künste Wien, Österreich

$4edt 702 $aSaether$b Eva$p

Eva Sæther, Malmö Academy of Music (MAM), Schweden

$4edt 712 02$aEuropean Music Council$4edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910372790103321 996 $aMusic in Motion$94413425 997 $aUNINA