LEADER 02928nam 2200553 450 001 9910815171303321 005 20220614081633.0 010 $a90-485-5064-5 024 7 $a10.1515/9789048550647 035 $a(CKB)4100000012025753 035 $a(MiAaPQ)EBC6724650 035 $a(UkCbUP)CR9789048550647 035 $a(Au-PeEL)EBL6724650 035 $a(OCoLC)1273980662 035 $a(MdBmJHUP)musev2_85831 035 $a(DE-B1597)576587 035 $a(DE-B1597)9789048550647 035 $a(OCoLC)1302165860 035 $a(EXLCZ)994100000012025753 100 $a20220614d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRembrandt, Vermeer, and the gift in seventeenth-century Dutch art /$fMichael Zell 210 1$aAmsterdam :$cAmsterdam University Press,$d[2021] 210 4$dİ2021 215 $a1 online resource (508 pages) $cdigital, PDF file(s) 225 1 $aAmsterdam Studies in the Dutch Golden Age 300 $aTitle from publisher's bibliographic system (viewed on 22 Oct 2021). 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tTable of Contents -- $tIllustrations -- $tAcknowledgments -- $tIntroduction -- $t1. The Gift and Art in Early Modernity -- $t2. Art as Gift in the Dutch Republic -- $t3. Rembrandt?s Art as Gift -- $t4. Art and Leisure: Amateur Artists, Rembrandt, and Landscape Representation -- $t5. For the Love of Art: Vermeer and the Poetics of the Gift -- $tConclusion -- $tBibliography -- $tIndex 330 $aThis book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a love of art 410 0$aAmsterdam studies in the Dutch golden age. 606 $aArt, Dutch$y17th century 606 $aGifts$xSocial aspects$zNetherlands$y17th century 610 $aRembrandt, Vermeer, the Gift, Amateur Artists, Dutch Art, Golden Age. 615 0$aArt, Dutch 615 0$aGifts$xSocial aspects 676 $a709.49209032 700 $aZell$b Michael$f1962-$01634608 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815171303321 996 $aRembrandt, Vermeer, and the gift in seventeenth-century Dutch art$93974919 997 $aUNINA LEADER 05272nam 22007935 450 001 9910372740103321 005 20250628110041.0 010 $a9783030194284 010 $a3030194280 024 7 $a10.1007/978-3-030-19428-4 035 $a(CKB)4100000009273545 035 $a(DE-He213)978-3-030-19428-4 035 $a(MiAaPQ)EBC5918024 035 $a(Au-PeEL)EBL5918024 035 $a(OCoLC)1120104412 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31184 035 $a(Perlego)4362828 035 $a(ODN)ODN0010067055 035 $a(oapen)doab31184 035 $a(EXLCZ)994100000009273545 100 $a20190905d2019 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArchitecture and the Novel under the Italian Fascist Regime /$fby Francesca Billiani, Laura Pennacchietti 205 $a1st ed. 2019. 210 $d2019 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (XVIII, 229 p. 12 illus., 7 illus. in color.) 311 08$a9783030194277 311 08$a3030194272 327 $a1. National Novel and New Architecture -- 2. The Regime and the Creation of an 'Arte di Stato' -- 3. Constructing the Novel -- 4. Fascism and Architecture -- 5. 900 and Quadrante: Theorizing an Interdisciplinary Aesthetic Model -- 6. State Art, the Novel, and Architecture: Intersections -- 7. Novels and Buildings -- 8. Conclusion. 330 $aThis book is open access under a CC BY 4.0 license "Francesca Billiani and Laura Pennacchietti draw brilliantly and with precision the evolution of the new architecture and of the national novel (with insights on translations of international novels), whose profiles had been shaped from different angles, especially in the 1930s. These two fields, apparently so distant one from the other, had never been analysed in parallel. This book does this and uncovers several points of contact between the two, spanning propaganda and theoretical turning points." -Chiara Costa and Cornelia Mattiacci, Fondazione Prada, Italy "This book shows convincingly how the arte di Stato during Fascism was created with the morality of a new novel as well as architecture. It is surprising to read how one of the representatives of State art, Giuseppe Bottai, is also one of the finest critics of realist novels and rationalist architecture. More than parallel endeavours, the system of the arts during the Fascist regime should be viewed as a series of intersections of cultural, political and aesthetic discourses." -Monica Jansen, Utrecht University, The Netherlands Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated "revolution" of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes. Francesca Billiani is Senior Lecturer in Italian Studies and Director of the Centre for Interdisciplinary Research in the Arts and Languages at the University of Manchester, UK. Laura Pennacchietti is Research Associate in Italian Studies at the University of Manchester, UK. 606 $aEthnology$zEurope 606 $aCulture 606 $aCultural property 606 $aArts 606 $aEuropean literature 606 $aArchitecture$xHistory 606 $aEuropean Culture 606 $aCultural Heritage 606 $aFine Art 606 $aEuropean Literature 606 $aArchitectural History and Theory 615 0$aEthnology 615 0$aCulture. 615 0$aCultural property. 615 0$aArts. 615 0$aEuropean literature. 615 0$aArchitecture$xHistory. 615 14$aEuropean Culture. 615 24$aCultural Heritage. 615 24$aFine Art. 615 24$aEuropean Literature. 615 24$aArchitectural History and Theory. 676 $a306.094 676 $a853.9109 686 $aARC005000$aART009000$aLIT004130$aSOC000000$aSOC002010$2bisacsh 700 $aBilliani$b Francesca$4aut$4http://id.loc.gov/vocabulary/relators/aut$0627866 702 $aPennacchietti$b Laura$4aut$4http://id.loc.gov/vocabulary/relators/aut 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910372740103321 996 $aArchitecture and the Novel under the Italian Fascist Regime$92010016 997 $aUNINA