LEADER 03753nam 22005895 450 001 9910370248403321 005 20230811001221.0 010 $a981-13-8817-2 024 7 $a10.1007/978-981-13-8817-0 035 $a(CKB)4900000000505111 035 $a(MiAaPQ)EBC6011659 035 $a(DE-He213)978-981-13-8817-0 035 $a(PPN)259457272 035 $a(EXLCZ)994900000000505111 100 $a20200107d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHong Kong Popular Culture $eWorlding Film, Television, and Pop Music /$fby Klavier J. Wang 205 $a1st ed. 2020. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xxi, 523 pages) $cillustrations 225 1 $aHong Kong Studies Reader Series,$x2523-7772 311 $a981-13-8816-4 327 $a1. Introduction -- 2. Making of Hong Kong Film -- 3. Worlding Hong Kong Film -- 4. Making of Hong Kong TV -- 5. Worlding of Hong Kong TV -- 6. Making of Cantopop -- 7. Worlding of Cantopop -- 8. Epilogue. 330 $aThis book traces the evolution of the Hong Kong?s popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city?s geo-political, economic and social transformations. Under various historical contingencies and due to the city?s special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city?s nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural. Reaching beyond the ?golden age? (1980s) of Hong Kong popular culture and afar from a film-centric cultural narration, this book, delineating from the dawn of the 20th century and following a chronological order, untangles how the nowadays popular ?Hong Kong film?, ?Hong Kong TV? and ?Cantopop? are derived from early-age Sinophone cultural heritage, re-shaped through cross-cultural hybridization and influenced by multiple political forces. Review of archives, existing literatures and corporation documents are supplemented with policy analysis and in-depth interviews to explore the centennial development of Hong Kong popular culture, which is by no means demise but at the juncture of critical transition. Klaiver J. Wang is a researcher on Hong Kong culture and society. She was a post-doctoral fellow at the Academy of Hong Kong Studies, Education University of Hong Kong. She is now pursuing film archivist training at Tisch School of the Arts, New York University. Her publication appears on International Journal of Cultural Studies and International Journal of Taiwan Studies. 410 0$aHong Kong Studies Reader Series,$x2523-7772 606 $aEthnology$xAsia 606 $aCulture 606 $aAsia$xPolitics and government 606 $aAsia$xEconomic conditions 606 $aAsian Culture 606 $aAsian Politics 606 $aAsian Economics 615 0$aEthnology$xAsia. 615 0$aCulture. 615 0$aAsia$xPolitics and government. 615 0$aAsia$xEconomic conditions. 615 14$aAsian Culture. 615 24$aAsian Politics. 615 24$aAsian Economics. 676 $a306.095125 700 $aWang$b Klavier J$4aut$4http://id.loc.gov/vocabulary/relators/aut$0908709 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910370248403321 996 $aHong Kong Popular Culture$92032287 997 $aUNINA