LEADER 04486nam 22005775 450 001 9910369912203321 005 20200706001213.0 010 $a3-030-26913-2 024 7 $a10.1007/978-3-030-26913-5 035 $a(CKB)4100000009374662 035 $a(DE-He213)978-3-030-26913-5 035 $a(MiAaPQ)EBC5904650 035 $a(PPN)240735544 035 $a(EXLCZ)994100000009374662 100 $a20190924d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStreet Art and Democracy in Latin America /$fby Olivier Dabčne 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (XVII, 261 p. 22 illus., 10 illus. in color.) 225 1 $aStudies of the Americas 311 $a3-030-26912-4 327 $aChapter 1: Introduction -- Chapter 2: Analytical framework -- Chapter 3: Bogota. Public space between appropriation and deliberation -- Chapter 4: Săo Paulo. Pixadores? public scream of hate -- Chapter 5: Valparaíso. A tale of murals, tags and world heritage -- Chapter 6: Oaxaca. Revolutionary art and the (difficult) quest for democracy -- Chapter 7: Havana. Going public, no matter what -- Chapter 8: Conclusion. Street art and democracy. Lessons learned. 330 $a?This book is a striking example of the ?cultural turn? that has gained momentum as more orthodox approaches to the study of democracy have displayed their limitations. Olivier Dabčne demonstrates convincingly that this is a buoyant, widespread and influential counterpart to the sub-continent?s more recognized outlets of political-cum-artistic expression. These innovations are particularly vivid and provocative in the five Latin American cities he has studied. The author brings to life an impressive range of talented young street artists, and helps the reader to appreciate both their distinctive histories and their collective interactions.? ?Laurence Whitehead, Senior Research Fellow, Politics, Nuffield College, Oxford University, UK This book explores street art?s contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), Săo Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy. Olivier Dabčne is Professor of Political Science at the Paris Institute of Political Studies (Sciences Po). He is also Senior Researcher at the Center for International Studies (CERI) and President of the Political Observatory of Latin America and the Caribbean (OPALC), both at Sciences Po, France. . 410 0$aStudies of the Americas 606 $aLatin America?Politics and government 606 $aComparative politics 606 $aInternational relations 606 $aLatin American Politics$3https://scigraph.springernature.com/ontologies/product-market-codes/911150 606 $aComparative Politics$3https://scigraph.springernature.com/ontologies/product-market-codes/911040 606 $aInternational Relations Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/912110 615 0$aLatin America?Politics and government. 615 0$aComparative politics. 615 0$aInternational relations. 615 14$aLatin American Politics. 615 24$aComparative Politics. 615 24$aInternational Relations Theory. 676 $a320.4 676 $a306.47098 700 $aDabčne$b Olivier$4aut$4http://id.loc.gov/vocabulary/relators/aut$0410116 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910369912203321 996 $aStreet Art and Democracy in Latin America$92514628 997 $aUNINA