LEADER 03672oam 22006134a 450 001 9910367625103321 005 20240424225758.0 010 $a1-5017-4253-1 024 7 $a10.7591/9781501742538 035 $a(CKB)4100000008351090 035 $a(OCoLC)1122607657 035 $a(MdBmJHUP)muse76454 035 $a(DE-B1597)527441 035 $a(OCoLC)1102800525 035 $a(DE-B1597)9781501742538 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/89146 035 $a(EXLCZ)994100000008351090 100 $a19941121d1995 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPoets, Patrons, and Printers$eCrisis of Authority in Late Medieval France /$fCynthia J. Brown 210 $cCornell University Press$d2019 210 1$aIthaca, NY :$cCornell University Press,$d1995. 210 4$dİ1995. 215 $a1 online resource (xii, 292 p. :)$cill. ; 311 $a0-8014-3071-2 311 $a1-5017-4254-X 311 08$a9781501742521 320 $aIncludes bibliographical references (p. [269]-283) and index. 327 $tFrontmatter --$tContents --$tList of Illustrations --$tAcknowledgments --$tIntroduction --$tChapter 1. Late Medieval Writers as Owners and Protectors of Their Texts --$tChapter 2. Para textual Interaction between Poets and Book Producers --$tChapter 3. The Changing Image of the Poet --$tChapter 4. Changing Authorial Signatures in Late Medieval Books --$tChapter 5. Authorial and Narrative Voices in Late Medieval Vernacular Texts --$tAfterword --$tAppendix 1. Documentation of Andre de Ia Vigne's 1504 Lawsuit and Bibliographical Data --$tAppendix 2. Bibliographical Data for Jean Lemaire de Belges --$tAppendix 3. Bibliographical Data for Jean Bouchet --$tAppendix 4. Bibliographical Data for Jean Molinet --$tAppendix 5. Bibliographical Data for Pierre Gringore --$tBibliography --$tIndex 330 $aCynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism. 606 $aRenaissance$zFrance 606 $aLiterature publishing$zFrance$zParis$xHistory$y16th century 606 $aAuthors and publishers$zFrance$xHistory$y16th century 606 $aCopyright$zFrance$xHistory$y16th century 606 $aAuthorship$xHistory$y16th century 608 $aElectronic books. 610 $aLiterary studies: ancient, classical & medieval 615 0$aRenaissance 615 0$aLiterature publishing$xHistory 615 0$aAuthors and publishers$xHistory 615 0$aCopyright$xHistory 615 0$aAuthorship$xHistory 676 $a070.5/2 700 $aBrown$b Cynthia Jane$01024354 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910367625103321 996 $aPoets, Patrons, and Printers$92434378 997 $aUNINA