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101 0 $aeng
135   $aurc|#---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMusic of a thousand years $ea new history of Persian musical traditions /$fAnn E. Lucas
210  1$aOakland, California :$cUniversity of California Press,$d[2019]
210  4$dİ2019
215   $a1 online resource (xvii, 265 pages) $cillustrations, maps, plates; digital file(s)
225 1 $aJoan Palevsky imprint in classical literature
300   $aDescription based upon print version of record.
311   $a0-520-97203-1 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tList of Illustrations -- $tList of Maps -- $tList of Tables -- $tAcknowledgments -- $tA Note about Transliteration -- $t1. Ancient Music, Modern Myth -- $tPart One: Culture of Maqam -- $t2. Musical Empires -- $t3. Musical Structure: Cosmology and the Universal Order, c. 1100-1800 -- $t4. Music and Morality: Listening to Dangers Inherent in the Cosmos -- $t5. The Politics of Song: Music for Kings, Music for Empire, c. 1400-1722 -- $tPart Two: The Culture of Dastgah -- $t6. Musical Structure, Musical Nation, c. 1800-1950 -- $t7. The Nation's Music: Discovering and Recovering the Dastgah -- $t8. Music and Morality: The Recovery of a Nation, c. 1880-1940 -- $t9. Singing the Nation: Words of the People, Music for Iran -- $t10. History, Agency, and the Power of Music -- $tNotes -- $tDiscography -- $tReference List -- $tIndex
330   $a"Iran?s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran?s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region?s political history." --Back cover.
410  0$aJoan Palevsky imprint in classical literature.
606   $aMusic$zIran$xHistory and criticism
606   $aMaqa?m
606   $aDastga?h
610   $aancient persian culture.
610   $achanging notions.
610   $acultural dissimilarity.
610   $adiscontinuity.
610   $aentertainment.
610   $aethnomusicology.
610   $ahistorical analysis.
610   $airan history.
610   $airan.
610   $amiddle eastern music.
610   $amodern musical norms.
610   $amodern phenomenon.
610   $amusic making.
610   $amusic.
610   $anational history.
610   $apersian art music.
610   $apersian music history.
610   $apolitical history.
610   $apremodern.
615  0$aMusic$xHistory and criticism.
615  0$aMaqa?m.
615  0$aDastga?h.
676   $a780.955
700   $aLucas$b Ann E.$f1978-$0894946
801  2$bUkMaJRU
906   $aBOOK
912   $a9910367592203321
996   $aMusic of a thousand years$91999524
997   $aUNINA