LEADER 03777nam 22006735 450 001 9910366576103321 005 20240206141642.0 010 $a3-030-28876-5 024 7 $a10.1007/978-3-030-28876-1 035 $a(CKB)5280000000190122 035 $a(MiAaPQ)EBC6001946 035 $a(DE-He213)978-3-030-28876-1 035 $a(EXLCZ)995280000000190122 100 $a20191227d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPunk, Fanzines and DIY Cultures in a Global World $eFast, Furious and Xerox /$fedited by Paula Guerra, Pedro Quintela 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xxi, 210 pages) $cillustrations 225 1 $aPalgrave Studies in the History of Subcultures and Popular Music,$x2730-9525 311 $a3-030-28875-7 327 $a1. Fast, Furious and Xerox: Punk, fanzines and DIY cultures in a global world -- 2. Punk, Politics and British (fan)zines, 1976?84 -- 3. Punk Fanzines in Portugal (1978?2013): A critical overview -- 4. Fanzines? Network and the Punk Scene in Greece (1980?2015) -- 5. Underground Utopias: Strategies of mediation and resistance in the Brazilian punk fanzines network -- 6. Feel the Noise: The promotional allure of punk fanzines -- 7. Resistance through Photocopies: An analysis of the Argentine fanzine Resistencia during the 1980s -- 8. The Queer Punk Visions of J.D.s -- 9. The Punk Scene and the National Music Press in France (1976?1978): ?dangerous liaisons??. . 330 $aSince the 1970 and 1980s, fanzines have constituted a zone of freedom of thought, of do-it-yourself creativity and of alternatives to conventional media. Along with bands, records and concerts, they became a vital part of the construction of punk 'scenes?, actively contributing to the creation and consolidation of communities. This book moves beyond the usual focus on Anglophone punk scenes to consider fanzines in international contexts. The introduction offers a theoretical, chronological and thematic survey for understanding fanzines, considering their contemporary polyhedral vitality. It then moves to consider the distinct social, historical and geographic contexts in which fanzines were created. Covering the UK, Portugal, Greece, Canada, Germany, Argentina, France and Brazil, as well as a wide range of standpoints, this book contributes to a more global understanding of the fanzine phenomenon. 410 0$aPalgrave Studies in the History of Subcultures and Popular Music,$x2730-9525 606 $aCivilization$xHistory 606 $aSocial history 606 $aCulture 606 $aCultural History 606 $aSocial History 606 $aGlobal and International Culture 606 $aFanzins$2thub 606 $aPunk (Moviment)$2thub 606 $aCreativitat$2thub 607 $aEuropa$2thub 608 $aLlibres electrònics$2thub 615 0$aCivilization$xHistory. 615 0$aSocial history. 615 0$aCulture. 615 14$aCultural History. 615 24$aSocial History. 615 24$aGlobal and International Culture. 615 7$aFanzins 615 7$aPunk (Moviment) 615 7$aCreativitat 676 $a306.1 676 $a306.09 702 $aGuerra$b Paula$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aQuintela$b Pedro$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910366576103321 996 $aPunk, Fanzines and DIY Cultures in a Global World$92212352 997 $aUNINA